ADC Speakers

ADC Speakers

ADC 2026

Aaron McLeran

It’s Time To Be Real

Founder, Rhizome Audio

Adrian Lam

Echoes From the Cosmos

Alan Broady

What Would You Do With an Additive Synthesis Supercomputer?

Research Student, The Open University

Alan Silva

When Immersive Audio Renderers Meet Real Production

Co-founder & CTO, Spatial9

Alex Middleton-Dalby

The Audio Interface ‘Escape Room’

Software Developer, Focusrite

Alexandre R.J. Francois

Low Latency, High Temporal and Frequency Resolution Spectral Analysis of Audio Signals

Independent, Interactions Intelligence

Alistair Barker

Fixing the One in Two Billion Audio Glitch

C++ Software Engineer, Creative Software, L-Acoustics

Aman Jagwani

Modular Spectral Audio Processing on FPGAs with C/C++

PhD Researcher, Maynooth University

Andrea Martelloni

Audio ML on Bare Metal

Audio ML Engineer, Blackstar Amplification

Andreas Wagner

Geometry-Aware DSP for Vinyl Mastering

Founder, kompetenz.io

Andrew Scheps

The Power of Acoustic Spaces

Owner, Schepsworx

Anthony Nicholls

Build your First Plugin with JUCE

Software Engineer, JUCE

Anton Lundberg

Anton Lundberg

Real-Time Raytraced Acoustics

Software Engineer / Co-Founder, elias.audio

Antony Nasce

Spaces Outside the DAW

Co-founder, noodlr studio

Astrid Bin

You Need A Design System

Principal Designer, Astrid Bin

Attila Szarvas

Build your First Plugin with JUCE

Software Engineer, JUCE

AvroshK

Avrosh Kumar

Granular Synthesis II

Research Engineer, Pindrop

Bence Kovács

Don’t Break the Session

Audio Software Developer, DWDrums

Chris Horton

Provenance Is Coming #2: How It Works
Provenance Is Coming #1: Why It Matters

EVP, Strategic Technology, Universal Music Group

Chris Nash

Procedural Audio Pipelines

Director / Founder, nash.audio

Chris Thomaidis

Spaces Outside the DAW

Co-founder, noodlr studio

Christopher Relyea

Microphones Could Save Your Life!

Student, Stanford University CCRMA

Collin Canard Schupman

From DAWs to Dungeons

Senior Software Engineer, Riot

Corné Driesprong

While My PC Gently Beeps

Freelance Developer, Audiomovers

A photo of D'Angelo wearing glasses and a red shirt

D’Angelo Villarico Fitzpatrick

Wavelets: Stop Letting Fourier Smear Your Transients

Test Engineer, Solid State Logic

Daniel Jones

Creative technologist

Daniel Leonov

Daniel Leonov

Signal-Driven Approach to Testing Audio DSP

Software developer, freelance

Daniel Strübig

NES All the Way Down

Senior Embedded Software Developer, Bang and Olufsen

Dave Rowland

pluginval: How I Accidentally Built an Industry Standard(ish) Tool

CTO, Tracktion/Prism

Denise Azucena

Build Your Own Shazam

Software Developer - Machine Learning, Independent

Domenico Cipriani

Accessible Artful Plugin Design with Phausto and JUCE

Researcher / Software Developer, EVREF / Inria

Eloi Marín Gratacós

Functional Reactive Programming for Audio Software

Freelance

Emma Fitzmaurice

Build Your Own Shazam

QA Engineer, Focusrite - Novation

Erik Jourgensen

Using WebGPU and Dawn for Native Cross-Platform 3D Graphics in a JUCE Plugin

Founder / Developer, Animated Instruments

Fares Schulz

From Trained Model to Real-Time Implementation

Researcher, Technische Universität Berlin

Freya Shaw

Vision Without Sight

University of Bristol PhD Researcher and Founder, Immersion Sound Studio Ltd

Gerald Golka

From Graph to Groove

Gerard Roma

Overview of Neural Audio Synthesis Algorithms

Lecturer in Audion Engineering, University of West London

Jakob Siebenrock

GuiBuh – a framework for automated end-to-end plugin tests

QA Engineer, Sonible GmbH

Jamie Angus-Whiteoak

The Early Electronic Orchestra

Emerita Professor of Audio Technology, University of Salford

Jan Wilczek

DSP In Practice

Audio Programming Consultant & Coach, WolfSound

Jay Pocknell

Interactive Panel: Accessible Audio Tech

Music Support Officer, RNIB

Jelle

Stories From a Decade as a JUCE Freelancer

Founder, C++ Doctor

Jeremy Uzan

Provenance Is Coming #2: How It Works
Provenance Is Coming #1: Why It Matters

Director, AI & Advanced Technology, Universal Music Group

Jerre van der Hulst

From Idea to Audio Product

Founder, Alex Audio Butler

João Felipe Santo

Audio ML on Bare Metal

Research engineer, Tone 3000

Julia Läger

Build Your Own Shazam

Software Developer, Focusrite PLC

Julian Storer

Goodbye Audio Crafting.. Hello Audio Clanking

Founder, Cmajor Software Ltd

Konrad Glas

std::future Is Not the Future

Individual Contractor, Muse Group

A photo of Dr. Kyle Keane. He is a bearded Caucasian man with long hair, wearing a flat cap. He is smiling and sitting in front of an array of spatial audio equipment.

Kyle Keane

Reality – A Fuzzy & Buzzy Mess (at Times)

Senior Lecturer in Assistive Technologies, University of Bristol

Leslie Gason Bird

Leslie Gaston-Bird

How To Shake “I Suck at Math” Mentality

Senior Lecturer, City St Georges

Lina Campanella

From Trained Model to Real-Time Implementation

Research Assistant, Technische Universität Berlin

Linus Corneliusson

DSP In Practice

Software Engineer, Bogren Digital

Mateusz Zuń

DSP-Based Audio Codec with ALSA

Senior Software Engineer, Aptiv

Matthew Creighton

The No-Knob Interface

Researcher, Goldsmiths, University of London

Max Bailey

Model-Based Testing for Audio Devices

Software Developer in Test, Focusrite

Noah Feasey-Kemp

while (!heaven) {hell(“”audio startup realities””);

Founder, Audiocube

Olivier Petit

Fixing the One in Two Billion Audio Glitch

Head of Development, Creative Software, L-Acoustics

Patrick Lai

AudioReach
From Algorithm to Silicon

Principal Engineer, Qualcomm

Paul McCabe

Provenance Is Coming #2: How It Works
Provenance Is Coming #1: Why It Matters

SVP Research & Innovation, Roland Future Design Lab

Peggy Sylopp

Peggy Sylopp

Machine Learning Was the Easy Part

Founder and CTO, Sinceare UG

Ray Brien

Model-Based Testing for Audio Devices

Software Developer in Test, Focusrite PLC

Rebekah Wilson

How To Shake “I Suck at Math” Mentality

CEO, Source Elements

Reuben Thomas

Build your First Plugin with JUCE

Lead Software Engineer, JUCE

Ross Chisholm

The Audio Interface ‘Escape Room’

Head of Embedded Software, Focusrite

Roth Michaels

What is Timbre?

Director of Software Research, inMusic

Ruben Svensson

Dynamic Range Compression

Software/DSP Engineer, XLN Audio

Ryan Robinson

Fun With Functions

Owner, Sketch Audio, LLC

Samuel Fischmann

The Myriad Types of IIR Filters

CEO, Musik Hack LLC

Scott Carver

From Paper to Plugin

Shiva Sankar Kannan

The Space Between Presets

Senior Software Engineer, Dolby Labs

Simeon Joseph

Build Your Own Shazam
PIC-king up the Pieces!

Student, University of Westmisnter

Simon Hestermann

Simon Hestermann

When (not) to Patent Audio Software

CTO & Co-Founder, Masterchannel

Sohyun Im

Build Your Own Shazam

Research Assistant, Queen Mary University of London

Profile Photo Tim Bencker

Tim Bencker

Audio’s Problems Aren’t Unique

Tim Yates

Interactive Panel: Accessible Audio Tech

Research and Innovation Executive, Drake Music

Timo Alho

Between Analog and Digital

Lead Designer, Supercritical Synthesizers

Timur Doumler

SIMD for Audio Developers

Tom Poole

Build your First Plugin with JUCE

Managing Director, JUCE & ADC

Tom Waldron

An intro to Zephyr RTOS for embedded audio

Consultant Design Engineer, Baremetal Dev Ltd

Tsz Chai Alan Liu

Generating Video Game Sound Effects on the Fly

Lead Researcher, Sonoform Labs

Valentin Ackva

From Trained Model to Real-Time Implementation

Audio Software Developer, tanh-lab.com

Vibhav Bobade

Polyphonic Pitch Detection for Guitar isn’t really JUST Pitch Detection

Senior Software Engineer

Vincent Dortel

One Log Line per Sample

Senior audio programmer, Freelance

Vishnu Singh

One Audio Pipeline, Many Processors

Engineering Leader, Texas Instruments

William Light

Declarative Audio Plugins in Zig

Owner/Operator, LHI Audio

Yasandu Kalansooriya

Can Software Tune Like Musicians?

Student, University of the West of England, Bristol