ADC 2025 Speakers

ADC 2025 Speakers

Aaron McLeran

Channel Agnosticism in MetaSounds

Founder, Rhizome Audio

Adam Shield

Instrument Your Code So it Can Sing

Staff Software Engineer, Antares Audio Technologies

Adam Wilson

Database Synchronisation for Audio Plugins, Part Two

Founder, Node Audio

Alexander Prokopchuk

Workshop 3: GPU-Powered Real-Time Audio Source Separation

Co-founder & CTO, GPU Audio

Alexander Talashov

The Rise of Accelerated Audio Computing

Co-founder & CEO, GPU Audio

Alexandre R.J. Francois

Real-Time, Low Latency and High Temporal Resolution Spectrograms

Independent, Interactions Intelligence

Alfie Bradic

Roland X Neutone

Head of Audio, Neutone

Alistair Barker

How To Successfully Develop Software Products

C++ Software Engineer, Creative Software, L-Acoustics

Andreas Wagner

The Shape of Sound

Founder, kompetenz.io

Angus Hewlett

Perfect Oscillators in Less Than One Clock Cycle

Independent Consultant

Anmol Mishra Display Picture

Anmol Mishra

Converting Source Separation Models to ONNX for Real Time Usage in DJ Software

Research Assistant, Music Technology Group

Anna Wszeborowska

Workshop 1: Dynamic Cast: Web UIs for Music Apps

Software Engineer, Self-employed

Anthony Nicholls

Workshop 2: Build your first plugin with JUCE
Understanding JUCE Drawing

Software Engineer, JUCE

Astrid Bin

Film screening: 6SENSE
How I Learned to Love the Docs

Principal Designer, Astrid Bin

Attila Szarvas

Workshop 2: Build your first plugin with JUCE

Software Engineer, JUCE

AvroshK

Avrosh Kumar

Overview of Granular Synthesis

Research Engineer, Pindrop

Ben Supper

Finding OSCar

Proprietor, Supperware Ltd

Bence Kovács

PSD to DAW

Audio Software Developer, DWDrums

Cameron Thomas

It’s Just a Phase

Programmer, Minuit

Cecill Etheredge

Beyond the DAW

CTO, KoalaDSP B.V.

Cesare Ferrari

Testing Testing 1, 2, 3

Founder, Cmajor Software Ltd

Chin-Yun Yu

PhilTorch: Accelerating Automatic Differentiation of Digital Filters In PyTorch

PhD student, Queen Mary University of London

Chris D

The Rise of Accelerated Audio Computing
Workshop 3: GPU-Powered Real-Time Audio Source Separation

Head of Pro Audio, GPU Audio

Chris Nash

Workshop 7: Four Plugins in Four Hours (or less)
Level Up! Procedural Game Music and Audio

Director / Founder, nash.audio

Christian Luther

Mind the Spike

Founder, Playfair Audio

Christian Scheuer

Integrate Your Plugin with the New AI and Automation Features in Pro Tools using SoundFlow’s new SFX Framework

Founder & CEO, SoundFlow

Dave Rowland

Lock-free Queues in the Multiverse of Madness

CTO, Tracktion/Prism

David sitting at his work desk wearing headphones connected to an external sound card on his right side, with the laptop open directly in front of him, with a music project open on screen. Speakers are either side of the laptop. A MIDI Keyboard is positioned on a stand further on his right.

David Shervill

Workshop 5: Interactive Panel: Accessibility in Audio Tech
Building Inclusive Audio Tools

Founder/ Lead Facilitator , Global Music Visions C.I.C.

Headshot of David Su, audio developer

David Su

A Sine By Any Other Language

Lead Audio and Systems Programmer, Brass Lion Entertainment

Domenico Cipriani

Workshop 6: Programming Music and Synthesizers on-the-fly with Pharo

Researcher / Software Developer, EVREF / Inria

Edward Ray

Why You Can’t Get Hired and What You’re Going To Do About It

Owner , Edward Ray Audio

Emma Fitzmaurice

Workshop 1: Dynamic Cast: Web UIs for Music Apps

QA Engineer, Focusrite - Novation

Erich Krey

A Performance Odyssey

Application Performance Manager, Steinberg Media Technologies GmbH

Felix Huber

Real-Time Audio in Python: Introducing the asmu Package

University Assistant, TU Wien

Francisco Bernardo

Driving Chaos

Postdoctoral Research Associate, Imperial College London

Franco Caspe

Engineering Practices Break Music Interaction

PhD Candidate, Queen Mary University of London

George Gkountouras

Analog Filters for Realtime Audio

Founder, Arthurian Audio

Gloria Dal Santo

Modern Feedback Delay Networks for Realistic and Creative Reverberation

Doctoral Researcher , Aalto University

Gonçalo Bernardo

Should Audio Plugins Have “Everything Everywhere All at Once”?

Audio Software Engineer, ARTURIA

Harriet Drury

Workshop 1: Dynamic Cast: Web UIs for Music Apps
Creating from Legacy Code

Software Engineer, Native Instruments

Henning Meyer

Enumerate and Extract Audio Buffers When Debugging C++ Applications

Ian Hobson

Cross-Platform Music Software with Rust

Founder, Picotone

Ichiro Yazawa

Roland X Neutone

Advanced R&D Group Leader, Roland Future Design Lab

Ilias Bergström

The Practices of Audio Programming

Software Specialist, Bang & Olufsen

Jake Morgan

Creative Coding

James Hallowell

Workshop 4: From Paper to Plugin
Safe and Sound

Senior Software Developer, Focusrite

James Russell

Why Do People Actually Buy Music Software, Anyway?

Director, Egg Audio

Jamie Angus-Whiteoak

The Real Waveform Matters

Emerita Professor of Audio Technology, University of Salford

Jan Wilczek

The Official JUCE Audio Plugin Development Course is Here
Workshop 8: DSP in Practice

C++ Speaker, thinkcell

Jay Pocknell

Accessibility in Audio Meet-up
Workshop 5: Interactive Panel: Accessibility in Audio Tech

Founder, Sound Without Sight

Joel Ross

Workshop 4: From Paper to Plugin

Senior Embedded DSP Engineer, Focusrite

Josh Coalson

A History of FLAC

Joshua Hodge

Workshop 7: Four Plugins in Four Hours (or less)

Founder & CEO, The Audio Programmer

Josip Cavar

Peeking Inside Audio Units

iOS developer, Infinum

Julian Storer

ADC 2015 to 2035

Founder, Cmajor Software Ltd

Kanru Hua

Scripting Architecture for a DAW-like Plugin

CEO, Dreamtonics

Khaled Said

How To Distribute Your Plugins

Head of product & partnerships, Muse Group

Kurt Heiden

Meetup: Join IASIG – Shape the Future of Interactive Audio!
The image shows a person playing a live coding performance in a dimly lit room with code being projected on the wall behind him and on the person himself

Leonardo Foletto

Hacking Handhelds for Creative Audio

Liam Peacock

Music Design and Systems

Deputy Course Leader, BIMM University

Linus Corneliusson

Workshop 8: DSP in Practice

Software Engineer, Bogren Digital

Liza Bec

Workshop 5: Interactive Panel: Accessibility in Audio Tech

Creative Director, BMV Records

Lu Wilson

Keynote: How Many Heads Do You Need?

Marta Rossi

Emotion in the Signal

PhD candidate, Abertay University

Matt Morton

Building Better Software through Cross-Functional Collaboration

Head of Software, Focusrite

Maxime Coutant

2.5 Years Later: A C++ Framework for Audio ML Research Prototyping

Audio Software Engineer

Mxshi Mo

Film screening: 6SENSE
Workshop 5: Interactive Panel: Accessibility in Audio Tech

Noah Feasey-Kemp

Chaos, Logic, and Physics

Founder, Audiocube

Oli James

Workshop 2: Build your first plugin with JUCE

Olivier Petit

Bugs I’ve Seen in the Wild
How To Successfully Develop Software Products

Head of Development, Creative Software, L-Acoustics

Paul McCabe

Roland X Neutone

SVP Research & Innovation, Roland Future Design Lab

Pauline Nemchak

Workshop 1: Dynamic Cast: Web UIs for Music Apps
Phil Burk in front of the ocean at sunset.

Phil Burk

Real-time Audio on Android

self employed, SoftSynth

Headshot shows Rachel Susser looking off to the side in front of a plain background

Rachel Susser

Efficient Task Scheduling in a Multithreaded Audio Engine

Software Engineer, Ableton AG

Randy Young

Crowded Market Launch Playbook: Refining Audio Plugin Success Through Pre‑Launch Metrics

Head of Marketing & User Acquisition, Relab

Ray Brien

Software Developer in Test, Focusrite PLC

Reuben Thomas

Workshop 2: Build your first plugin with JUCE

Lead Software Engineer, JUCE

Romy Dugue

Beyond the DAW

Lead developer, Koala DSP

Ross Chisholm

Workshop 4: From Paper to Plugin

Head of Software, Focusrite

Roth Michaels

Using Strongly-Typed Units in Digital Audio Software

Director of Software Research, inMusic

Ryan Wardell

Beyond iLok: Advanced Code Protection and Cryptography for the Next Generation
Continuous QA Testing for Plugins Using AI and Python

Samuel Fischmann

Distorted Reality

CEO, Musik Hack LLC

Black-and-white portrait of a bald man wearing rectangular dark sunglasses and a white sports T-shirt with 'ALIEN INSTRUMENTS' and an alien-head logo on it. He has a slight smile and a visible tattoo on his neck. The background is a soft, out-of-focus studio gradient.

Samuel John Prouse

Workshop 5: Interactive Panel: Accessibility in Audio Tech
Building Inclusive Audio Tools

Owner, Alien Instruments

Scott Carver

Building an Optimized DSP Framework in Modern C++

Shreya Gupta

Tabla to Drumset

Free-lance researcher/audio consultant

Simeon Joseph

Workshop 1: Dynamic Cast: Web UIs for Music Apps

Student, University of Westmisnter

Stefan Gretscher

Sneak Peek at ARA Audio Random Access 3.0

Software Developer, Celemony

Steven Barile

Implementing Wave Terrain Synthesis

CTO, Conductive Labs

Syl Morrison

Doodads & Doohickeys

Audio Software Developer, SLM Audio

Tim Adnitt

Workshop 5: Interactive Panel: Accessibility in Audio Tech

Vice President | Product Management, Native Instruments

Tim Burgess

Workshop 5: Interactive Panel: Accessibility in Audio Tech

Owner, Raised Bar

Tim Yates

Workshop 5: Interactive Panel: Accessibility in Audio Tech

Research and Innovation Executive, Drake Music

Timur Doumler

Demystifying std::memory_order

Tobias Baumbach

When the Code Writes Back

CTO, Arturia

Tobias Lønnerød Madsen

Commercialising Audio Plugins

Co-founder, Moonbase

Tom Poole

The Official JUCE Audio Plugin Development Course is Here
Workshop 2: Build your first plugin with JUCE

Managing Director, JUCE & ADC

Tomas Medek

Modernizing Legacy Audio Plugin Codebases

Developer, Image Line

Valerio Orlandini

Bridging Audio Analysis and Interaction

Doctoral Researcher, Conservatory of Music "Luigi Cherubini"