Tag: programming

Spatial Localization & Techniques for Synthesizing Real-Time Binaural Audio for Headphones – ADCx India 2025

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https://audio.dev/ -- @audiodevcon​
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Spatial Localization and Techniques for Synthesizing Real-Time Binaural Audio for Headphones - Harsha Vardhan Rapeti - ADCx India 2025
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Spatial audio has become increasingly popular, with new applications emerging in areas like virtual reality (VR), home theatres, and spatial audio headphones. These innovations provide users with more engaging and interactive experiences.
To effectively reproduce binaural signals from sound sources in different locations, it’s essential to grasp how we perceive the origin of sounds. This involves looking at binaural audio signals from various experiments, which helps us grasp how our ears and brain work together to locate sounds in space.

The Talk Covers:

1 Terminology, Meaning and Basic Equations (Pressure wave related).
2 How does spatial localisation work in Free fields and closed fields.
- Static and Dynamic Cues.
- Human Ear anatomy Effecting the pressure waves.
- psychological cues.
3 Reproducing Binaural audio on Headphones.
- Head Related Transfer functions for near field and far field signals, spectrum modifications.
- Delaying channels to replicate Intra-aural delay.
- Replicating the change in the energy level of the audio signal.
- *
4 Implementation problems and overcoming them. Tricks to Interpolating between fixed number of HRTFs for a smooth transition.
5 Q&A
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Slides: https://data.audio.dev/talks/ADCxIndia/2025/spatial-localization-and-techniques-for-synthesizing-real-time-binaural-audio/slides.pptx
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Harsha Vardhan Rapeti

Harsha is a c++ programmer, interested in audio and Linux stuff. Checkout more of his stuff at https://github.com/Harsha-vardhan-R
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ADC is an annual event celebrating all audio development technologies, from music applications and game audio to audio processing and embedded systems. ADC’s mission is to help attendees acquire and develop new audio development skills, and build a network that will support their audio developer career.
Annual ADC Conference - https://audio.dev/
https://www.linkedin.com/company/audiodevcon

https://facebook.com/audiodevcon
https://instagram.com/audiodevcon
https://www.reddit.com/r/audiodevcon/
https://mastodon.social/@audiodevcon
---

Streamed & Edited by Digital Medium Ltd: https://online.digital-medium.co.uk
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Organized and produced by JUCE: https://juce.com/
---

Special thanks to the ADCx India Team:

Sophie Carus
Derek Heimlich
Andrew Kirk
Bobby Lombardi
Tom Poole
Ralph Richbourg
Jim Roper
Jonathan Roper
Prashant Mishra

#spatialaudio #binauralaudio #adc #audiodev #audio #conferenceaudio #audioprocessing #audioproduction #audioprogramming #sound #cpp #musictech #audiotech #audiotechnology

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Branch-Free Oscillators for Virtual Analog Software Synth in C++ – Angus Hewlett – ADC 2024

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https://audio.dev/ -- @audiodevcon​
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Branch-Free Oscillators for Virtual Analog Software Synthesizer Applications in C++ - Angus Hewlett - ADC 2024
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A discussion of techniques and approaches for building parallel branch-free oscillators for VA software synthesizer applications in C++ - exploring the stack from low-level machine instructions and CPU architecture up to signal processing concerns and language-level abstractions.

How can a branch-free design help you build more performant oscillators, how does it work underneath, and what are the advantages, disadvantages and potential pitfalls of this type of design approach?

If you're curious about CPU architecture and what's going on underneath your code, this talk will be an interesting window into that sometimes less-than-obvious world.
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Slides: https://data.audio.dev/talks/2024/branch-free-oscillators/slides.pdf
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Angus Hewlett

Technologist, Founder, Product Designer, Engineer, Manager and Mentor.

Founded FXpansion at the turn of the millennium and built software drum machines, synthesizers and utilities for 16 years.

Exited to ROLI in 2016 and joined their team as VP Engineering, managing a cross-disciplinary team of dozens of engineers and designers across software, hardware, web applications and R and D.

CTO at Image-Line from 2021-2023.

Now building a new product line to be released in 2024, and helping others to realise their product development dreams.
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ADC is an annual event celebrating all audio development technologies, from music applications and game audio to audio processing and embedded systems. ADC’s mission is to help attendees acquire and develop new audio development skills, and build a network that will support their audio developer career.
Annual ADC Conference - https://audio.dev/
https://www.linkedin.com/company/audiodevcon

https://facebook.com/audiodevcon
https://instagram.com/audiodevcon
https://www.reddit.com/r/audiodevcon/
https://mastodon.social/@audiodevcon
---

Streamed & Edited by Digital Medium Ltd: https://online.digital-medium.co.uk
---

Organized and produced by JUCE: https://juce.com/
---

Special thanks to the ADC24 Team:

Sophie Carus
Derek Heimlich
Andrew Kirk
Bobby Lombardi
Tom Poole
Ralph Richbourg
Jim Roper
Jonathan Roper
Prashant Mishra

#adc #oscillators #audiodev #cpp #audio #audioprocessing #audioproduction #audioprogramming #sound #cppprogramming #musictech #soundtech #audiotech #audiotechnology

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Squeeze C++ JUCE and Bottle It Into Linux Embedded Devices and More – Stefano Zambon – ADC 2024

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https://audio.dev/ -- @audiodevcon​
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Squeeze C++ JUCE and Bottle It Into Linux Embedded Devices and More - Stefano Zambon - ADC 2024
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Running JUCE applications on embedded Linux devices is not a new thing. The topic has been treated in previous ADCs and, most notably, at ADC 2016 Felipe Tonello introduced a repository for Yocto/OpenEmbedded to make the task easier.

However, several things have changed in the meantime both in JUCE and in the embedded Linux world. This talk will present a new integration between CMake-based JUCE projects and Yocto/Openembedded, targeting modern embedded Linux platforms using the Raspberry Pi as an example.

The focus will be on the entire embedded development workflow, showing how to build target filesystem that can be run on the devices, cross-compiling SDKs, and automated testing tools suitable for modern CI/CD integration.
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Slides: https://data.audio.dev/talks/2024/squeeze-juce-and-bottle-it-into-embedded-devices/slides.pdf
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Stefano Zambon

CTO at Elk, wearing multiple hats (embedded developer, DSP programmer, technical manager)
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ADC is an annual event celebrating all audio development technologies, from music applications and game audio to audio processing and embedded systems. ADC’s mission is to help attendees acquire and develop new audio development skills, and build a network that will support their audio developer career.
Annual ADC Conference - https://audio.dev/
https://www.linkedin.com/company/audiodevcon

https://facebook.com/audiodevcon
https://instagram.com/audiodevcon
https://www.reddit.com/r/audiodevcon/
https://mastodon.social/@audiodevcon
---

Streamed & Edited by Digital Medium Ltd: https://online.digital-medium.co.uk
---

Organized and produced by JUCE: https://juce.com/
---

Special thanks to the ADC24 Team:

Sophie Carus
Derek Heimlich
Andrew Kirk
Bobby Lombardi
Tom Poole
Ralph Richbourg
Jim Roper
Jonathan Roper
Prashant Mishra

#juce #embedded #cpp #adc #audiodev #dsp #audio #audioprocessing #audioproduction #audioprogramming #musictech #soundtech #audiotech #audiotechnology

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Keynote: Music Informatics for Musics of India – Topics, Tools and Trends – Ajay Srinivasamurthy

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https://audio.dev/ -- @audiodevcon​
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Keynote: Music Informatics for Musics of India - Topics, Tools and Trends - Ajay Srinivasamurthy - ADCx India 2025
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The art of music has been practised for centuries in India. In the last century, the science of music developed, with musicologists studying music systematically using a scientific approach. Engineering of music is now emerging - music Informatics is a multidisciplinary field that draws from several fields such as acoustics, psychoacoustics, signal processing, machine learning, computer science, psychology and musicology to build tools and techniques for performance, production, analysis, understanding and synthesis of music. The tools aim to create a novel experience with music for both musicians and the audience, enhancing our collective experience with music. This talk is aimed to be an introductory overview of music informatics as it is applied to the diverse musics of India discussing the opportunities, challenges and application trends in the field. The talk discusses the current state of the art, relevant problems and resources available to start working on music informatics problems in the Indian socio-cultural context.
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Slides: https://data.audio.dev/talks/ADCxIndia/2025/music-informatics-for-musics-of-india-topics-tools-and-trends/slides.pdf
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Ajay Srinivasamurthy

Ajay Srinivasamurthy is an Applied Science Manager with the Amazon Artificial General Intelligence team in Bangalore, India where he works on large scale speech and language technologies. He is also an adjunct member of the faculty, Department of Heritage Science and Technology, Indian Institute of Technology Hyderabad (IITH), India. He has diverse research interests and experience in the areas of Speech, Audio and Music Signal Processing and Machine Learning (www.ajaysrinivasamurthy.in).
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ADC is an annual event celebrating all audio development technologies, from music applications and game audio to audio processing and embedded systems. ADC’s mission is to help attendees acquire and develop new audio development skills, and build a network that will support their audio developer career.
Annual ADC Conference - https://audio.dev/
https://www.linkedin.com/company/audiodevcon

https://facebook.com/audiodevcon
https://instagram.com/audiodevcon
https://www.reddit.com/r/audiodevcon/
https://mastodon.social/@audiodevcon
---

Streamed & Edited by Digital Medium Ltd: https://online.digital-medium.co.uk
---

Organized and produced by JUCE: https://juce.com/
---

Special thanks to the ADCx India Team:

Sophie Carus
Derek Heimlich
Andrew Kirk
Bobby Lombardi
Tom Poole
Ralph Richbourg
Jim Roper
Jonathan Roper
Prashant Mishra

#adc #audiodev #musicofindia #dsp #audio #audioengineering #audioprocessing #audioproduction #audioprogramming #music #musictech #soundtech #audiotech #audiotechnology

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Workshop: Klang – Live and Expressive C++ for Audio – Chris Nash – ADC 2024

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https://audio.dev/ -- @audiodevcon​
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Workshop: Klang - Live and Expressive C++ for Audio - Chris Nash - ADC 2024
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A practical introduction to Klang, a C++ dialect (language extension) for audio, and rapIDE (rapid audio prototyping IDE), a complete C++ development environment in a DAW plugin, supporting live code editing, recompiling, and debugging. Developed to improve the liveness and usability of professional DSP practices, both tools facilitate the expressive design of new interfaces, sounds, and audio processes, while lowering the threshold to C++ for newcomers and learners, without compromising its expressive ceiling or performance.

ABOUT THE WORKSHOP

The workshop will feature discussions, live demonstrations, structured practical exercises, and assisted open exploration of the Klang language and rapIDE development platform, both available free for non-commercial use.

ABOUT THE TECHNOLOGIES

The Klang language (http://github.com/nashaudio/klang) is a single header include, compatible with any C++17 enabled platform, transforming C++ into an audio programming language with rich support for audio types, processes, and DSP primitives - notably also adding support for concise, explicit expressions of signal flow, allowing C++ code to more closely mirror block diagrams

The rapIDE IDE (aka Klang Studio; http://nash.audio/klang/studio) is a suite of cross-platform (Windows/Mac) audio plugins (in VST and AU format) that contain a complete integrated development environment (IDE) based on the LLVM/clang toolchain, supporting live, in-plugin coding, compiling, hot-swapping, analysis, graphing, and debugging without stopping the host (or even playback). Designed for rapid prototyping of C++ audio processes (e.g. synthesisers, effects), rapIDE is designed to integrate with existing workflows, such as desktop, embedded, and web audio development, but also provide a more immediate and immersive way to explore sound with C++.

FURTHER INFORMATION

Both technologies are pre-release and under active development, maintained by nash.audio, a non-profit organisation supporting projects in music and technology. Delegates require a Windows or Mac laptop, and are recommended to download and install rapIDE (aka Klang Studio) from nash.audio/klang in advance of the session.
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Chris Nash

Chris Nash is a software developer, composer, educator and researcher in things that go beep in the night. Following a PhD on music software design at Cambridge, he has worked on technology and music projects across academia and industry, including for the BBC, Steinberg/Yamaha, and multiple start-ups, and independently develops and maintains several software projects, specialising in computer music and making music programming more accessible, including Manhattan (a hybrid DAW/programming language), Klang (a C++ dialect for audio), rapIDE (a plug-in based C++ IDE) and reViSiT (an award-winning plug-in based sound tracker).

He is currently Senior Lecturer in Software Development for Audio, Sound, and Music at UWE Bristol, and recently founded nash.audio, a non-profit organisation supporting creativity and learning in music technology. Working with London-based Point Blank Music School, Dr Nash is the architect of the forthcoming MuSE (Music Systems Engineering) course, developed in collaboration with industry to be the world's first professional audio developer degree programme.
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ADC is an annual event celebrating all audio development technologies, from music applications and game audio to audio processing and embedded systems. ADC’s mission is to help attendees acquire and develop new audio development skills, and build a network that will support their audio developer career.
Annual ADC Conference - https://audio.dev/
https://www.linkedin.com/company/audiodevcon

https://facebook.com/audiodevcon
https://instagram.com/audiodevcon
https://www.reddit.com/r/audiodevcon/
https://mastodon.social/@audiodevcon
---

Streamed & Edited by Digital Medium Ltd: https://online.digital-medium.co.uk
---

Organized and produced by JUCE: https://juce.com/
---

Special thanks to the ADC24 Team:

Sophie Carus
Derek Heimlich
Andrew Kirk
Bobby Lombardi
Tom Poole
Ralph Richbourg
Jim Roper
Jonathan Roper
Prashant Mishra

#adc #daw #audiodev #cppprogramming #cpp #dsp #audio #audioprocessing #audioproduction #audioprogramming #musictech #soundtech #audiotech #audiotechnology

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Inheriting Mantis (Synth) from Chris Huggett – Ben Supper – ADC 2024

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https://audio.dev/ -- @audiodevcon​
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Inheriting Mantis (Synth) from Chris Huggett - Ben Supper - ADC 2024
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Chris Huggett founded the Oxford Synthesiser Company in the 1970s. He spent his career designing what became classic instruments: the EDP Wasp and OSCar synthesisers, most of Akai's samplers in the 1990s, and pretty much all of Novation's musical products.

In 2019, Chris took on a commission for a new company. Given creative free rein, he started developing a hybrid synth that revisited some of his earliest work, but improved it with modern features. Unfortunately, he was diagnosed with cancer at around the same time, and didn't survive the first lockdown.

Having worked with Chris for a while at Novation, and being a little involved with the same new company, I was standing in a footlight when the music stopped. With the permission of his estate, the contents of Chris's desk and hard drive allowed us to inherit a well-conceived, sometimes brilliant, but technically rough proof of concept. We were given permission to see what we might do with the hardware and software.

As a solo engineer, my job was to understand the context and intentions embodied in Chris's draft, to shape and polish it without losing his fingerprints, and to see it into production before the money ran out.

This talk will cover the technically interesting aspects of this project, following the evolution of Chris's demo into a manufacturable product and a codebase for the future, whilst working out which of his fingerprints he meant to polish out and which to leave.
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Slides: https://data.audio.dev/talks/2024/inheriting-mantis/slides.pdf
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Ben Supper

Ben engineers synthesisers, loudspeakers, MIDI controllers, and other products for various companies, and sells spatial audio hardware via his own company, Supperware.

He likes solving problems that combine elements of acoustic design, hardware, firmware, DSP, and application development. The first half of his career was spent mostly at Focusrite and ROLI, running the latter's R&D team and realising that he prefers the lab to the boardroom, but doesn't get to choose.

Ben's been involved with ADC since it started in 2015. He's spoken about MIDI, spatial audio, the craft of making hardware, and on weathering a demanding and satisfying trade, the practitioners of which are often invisible.
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ADC is an annual event celebrating all audio development technologies, from music applications and game audio to audio processing and embedded systems. ADC’s mission is to help attendees acquire and develop new audio development skills, and build a network that will support their audio developer career.
Annual ADC Conference - https://audio.dev/
https://www.linkedin.com/company/audiodevcon

https://facebook.com/audiodevcon
https://instagram.com/audiodevcon
https://www.reddit.com/r/audiodevcon/
https://mastodon.social/@audiodevcon
---

Streamed & Edited by Digital Medium Ltd: https://online.digital-medium.co.uk
---

Organized and produced by JUCE: https://juce.com/
---

Special thanks to the ADC24 Team:

Sophie Carus
Derek Heimlich
Andrew Kirk
Bobby Lombardi
Tom Poole
Ralph Richbourg
Jim Roper
Jonathan Roper
Prashant Mishra

#adc #audiodev #synth #synthesizer #audio #audioprocessing #audioproduction #audioprogramming #sound #music #musictech #soundtech #audiotech #audiotechnology

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Profiling Neural Audio Plugins – Dharanipathi Rathna Kumar – ADCx India 2025

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https://audio.dev/ -- @audiodevcon​
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Profiling Neural Audio Plugins - Dharanipathi Rathna Kumar - ADCx India 2025
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Profiling is an indispensable tool in developing high-performance, real-time audio plugins. In this talk, we will delve into profiling, with a focus on neural audio plugins. We will explore key profiling techniques, including time profilers, system tracers, performance counters, and the distinctions between sampling and instrumentation. Using Xcode’s Instruments as our primary tool, we’ll walk through an example code to demonstrate how profiling can identify bottlenecks and guide optimization efforts. We’ll also briefly examine the performance of current neural network inference engines used in audio plugins.
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Slides: https://data.audio.dev/talks/ADCxIndia/2025/profiling-neural-audio-plugins/slides.pptx
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Dharanipathi Rathna Kumar

PhD researcher working on real-time neural audio.
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ADC is an annual event celebrating all audio development technologies, from music applications and game audio to audio processing and embedded systems. ADC’s mission is to help attendees acquire and develop new audio development skills, and build a network that will support their audio developer career.
Annual ADC Conference - https://audio.dev/
https://www.linkedin.com/company/audiodevcon

https://facebook.com/audiodevcon
https://instagram.com/audiodevcon
https://www.reddit.com/r/audiodevcon/
https://mastodon.social/@audiodevcon
---

Streamed & Edited by Digital Medium Ltd: https://online.digital-medium.co.uk
---

Organized and produced by JUCE: https://juce.com/
---

Special thanks to the ADCx India Team:

Sophie Carus
Derek Heimlich
Andrew Kirk
Bobby Lombardi
Tom Poole
Ralph Richbourg
Jim Roper
Jonathan Roper
Prashant Mishra

#audioplugins #adc #audiodev #cppprogramming #audio #conferenceaudio #audioprocessing #audioproduction #audioprogramming #xcode #musictech #soundtech #audiotech #audiotechnology

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Building Audio Applications using AI Models: Practical Lessons Learned – ChangHun Sung – ADC 2024

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https://audio.dev/ -- @audiodevcon​
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Building Audio Applications using AI Models: Practical Lessons Learned - ChangHun Sung - ADC 2024
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Supertone has been building and releasing a variety of AI audio applications since 2022. Ranging from a real-time noise reduction plug-in, a standalone voice changer application, to an impulse response generator that employs a transformer architecture (the kind used in LLMs), Supertone’s products were made by taking AI models from the lab and delivering them to the hands of users. In this talk, we will share with you some practical lessons we’ve learned from our experiences.
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Slides: https://data.audio.dev/talks/2024/practical-lessons-learned-from-building-audio-applications-using-ai-models/slides.pdf
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ChangHun Sung

Chang Hun is a Software Engineer at Supertone, Inc. He previously worked in the game industry and used to develop game engines. Chang Hun now develops high performance C++ frameworks to accelerate the process of productizing ML models. He is also the principal clarinetist in an amateur orchestra in Seoul.
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ADC is an annual event celebrating all audio development technologies, from music applications and game audio to audio processing and embedded systems. ADC’s mission is to help attendees acquire and develop new audio development skills, and build a network that will support their audio developer career.
Annual ADC Conference - https://audio.dev/
https://www.linkedin.com/company/audiodevcon

https://facebook.com/audiodevcon
https://instagram.com/audiodevcon
https://www.reddit.com/r/audiodevcon/
https://mastodon.social/@audiodevcon
---

Streamed & Edited by Digital Medium Ltd: https://online.digital-medium.co.uk
---

Organized and produced by JUCE: https://juce.com/
---

Special thanks to the ADC24 Team:

Sophie Carus
Derek Heimlich
Andrew Kirk
Bobby Lombardi
Tom Poole
Ralph Richbourg
Jim Roper
Jonathan Roper
Prashant Mishra

#adc #ai #audiosoftware #audiodev #dsp #audio #conferenceaudio #audioprocessing #audioproduction #audioprogramming #musictech #soundtech #audiotech #audiotechnology

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How to Price an Audio Plugin – James Russell – ADC 2024

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https://audio.dev/ -- @audiodevcon​
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How to Price an Audio Plugin - Factors to Consider When Deriving That One Elusive Value - James Russell - ADC 2024
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A plugin's price can make or break its success in the market, so why is it often one of the last decisions made? And why do skilled DSP developers struggle to determine this one value? This talk will cover the relevant economics of pricing for digital products, and will lay out 12 factors that should influence the final decision, using real-world examples. Developers will gain insight into what questions to ask and what observations to make in pricing their next launch – whether it's an analogue-style EQ, a one-knob spectral compressor, or humanity's next legendary synth plugin.
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Slides: https://data.audio.dev/talks/2024/how-to-price-an-audio-plugin/slides.pdf
---

James Russell

I've been part of 'the plugin industry' since 2012, first at Computer Music and FutureMusic magazines, then as part of my own company, Egg Audio, which is a marketing agency and consultancy working only with plugin developers. I specialize in an industry rather than a type of service, so I and my freelancers provide everything from blog and video content to influencer marketing – all to music software companies including Sonible, Plugin Boutique, Waves and Rhodes.
---

ADC is an annual event celebrating all audio development technologies, from music applications and game audio to audio processing and embedded systems. ADC’s mission is to help attendees acquire and develop new audio development skills, and build a network that will support their audio developer career.
Annual ADC Conference - https://audio.dev/
https://www.linkedin.com/company/audiodevcon

https://facebook.com/audiodevcon
https://instagram.com/audiodevcon
https://www.reddit.com/r/audiodevcon/
https://mastodon.social/@audiodevcon
---

Streamed & Edited by Digital Medium Ltd: https://online.digital-medium.co.uk
---

Organized and produced by JUCE: https://juce.com/
---

Special thanks to the ADC24 Team:

Sophie Carus
Derek Heimlich
Andrew Kirk
Bobby Lombardi
Tom Poole
Ralph Richbourg
Jim Roper
Jonathan Roper
Prashant Mishra

#audioplugins #adc #audiodev #dsp #audio #audioprocessing #audioproduction #audioprogramming #sound #music #musictech #soundtech #audiotech #audiotechnology

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Groove Transfer VST for Latin American Rhythms – Anmol Mishra & Satyajeet Prabhu – ADCx India 2025

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https://audio.dev/ -- @audiodevcon​
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Groove Transfer VST for Latin American Rhythms - Anmol Mishra & Satyajeet Prabhu - ADCx India 2025
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Latin American music relies on groove---small variations in timing, dynamics, and other aspects---to create an expressive rhythmic feel in music performance. Electronic music production often attempts to replicate these qualities through algorithmic manipulations to achieve similar effects. In this work, we employ a transformer-based model to learn microtiming and dynamics from onset timing and strength annotations of Uruguayan Candombe drum performances. The model is then deployed as a VST allowing users to apply the learnt candombe micro rhythms to quantized midi drum performances. With this work, we aim to bridge the gap between algorithmic rhythm creation and the expressive qualities of live performance, striving to produce music with the authentic grooves of various Latin American genres.
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Slides: https://data.audio.dev/talks/ADCxIndia/2025/groove-transfer-vst-for-latin-american-rhythms/slides.pdf
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Anmol Mishra

Anmol is a Research Assistant at the Music Technology Group (MTG) and a masters student at UPF Barcelona, working on learning expressive groove from Afro-Latin drumming for algorithmic rhythm generation. Previously he worked as a Machine Learning Engineer at Samsung’s Computer Vision Group in Seoul. Prior to that, he earned his Bachelors in Computer Science from IIT Bombay. He's been performing as a DJ for the past two years at clubs and festivals in Seoul.
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Satyajeet Prabhu

Satyajeet Prabhu is a Masters student in Sound and Music Computation at Universitat Pompeu Fabra, Barcelona. He holds a masters degree in Music Composition from Trinity College Dublin and an undergraduate degree in engineering. Currently working as a research assistant at the MTG, he is involved in the study of synchrony in a rhythmic performance. He also actively composes and releases music independently as ‘Barasingha’.
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ADC is an annual event celebrating all audio development technologies, from music applications and game audio to audio processing and embedded systems. ADC’s mission is to help attendees acquire and develop new audio development skills, and build a network that will support their audio developer career.
Annual ADC Conference - https://audio.dev/
https://www.linkedin.com/company/audiodevcon

https://facebook.com/audiodevcon
https://instagram.com/audiodevcon
https://www.reddit.com/r/audiodevcon/
https://mastodon.social/@audiodevcon
---

Streamed & Edited by Digital Medium Ltd: https://online.digital-medium.co.uk
---

Organized and produced by JUCE: https://juce.com/
---

Special thanks to the ADCx India Team:

Sophie Carus
Derek Heimlich
Andrew Kirk
Bobby Lombardi
Tom Poole
Ralph Richbourg
Jim Roper
Jonathan Roper
Prashant Mishra

#vst #adc #audiodev #audio #conferenceaudio #audioprocessing #audioproduction #audioprogramming #musicproduction #musictech #soundtech #audiotech #audiotechnology #midi

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