Tag: audiodev

Keynote: How Many Heads Do You Need? – Lu Wilson – ADC 2025

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https://audio.dev/ -- @audiodevcon​
ADC Bristol ​- 9th - 11th November
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Keynote: How Many Heads Do You Need? - Lu Wilson - ADC 2025
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Jam-oriented programming' is the joke name of a new style of audio development that is no joke at all. It adopts the practices and mentalities of an informal jam session to an extreme extent.

In a typical jam, there is no one in charge and anyone can make any sound they want at any time they choose. In jam-oriented programming, it's the same. Anyone can add, edit or delete code without any permission. Everyone is admin, nothing is certain and anything can happen. It sounds like chaos and it is. But it's also surprisingly successful, with entire audio tools appearing overnight out of the multi-headed process and even a published academic paper to accompany it all.

How and why is this even possible? And what does it tell us about the way we collaborate as audio developers?
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Slides: https://data.audio.dev/talks/2025/how-many-heads-do-you-need.pdf
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Lu Wilson

Lu Wilson is a creative technologist from London with a background in teaching. They make slightly surreal short films about their projects, often with heavy use of recursion. Their other creations include the satirical language Dreamberd, the experimental online gallery Torn Leaf, and the time-travelling sound-looping tool Arroost. More recently, Lu has become heavily involved as an organiser in London's electronic music scene, participating in the creation of numerous experimental audio tools with the infamous and international collective known as ""pastagang"".
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ADC is an annual event celebrating all audio development technologies, from music applications and game audio to audio processing and embedded systems. ADC’s mission is to help attendees acquire and develop new audio development skills, and build a network that will support their audio developer career.
Annual ADC Conference - https://audio.dev/
https://www.linkedin.com/company/audiodevcon

https://facebook.com/audiodevcon
https://instagram.com/audiodevcon
https://www.reddit.com/r/audiodevcon/
https://mastodon.social/@audiodevcon
---

Streamed & Edited by Digital Medium Ltd: https://online.digital-medium.co.uk
---

Organized and produced by JUCE: https://juce.com/
---

Special thanks to the ADC25 Team:

Sophie Carus
Derek Heimlich
Andrew Kirk
Bobby Lombardi
Tom Poole
Ralph Richbourg
Jim Roper
Jonathan Roper
Prashant Mishra

#adc #audiodev #dsp #audio #conferenceaudio #audioprocessing #audioproduction #audioprogramming #sound #music #musictech #soundtech #audiotech #audiotechnology

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Designing Music Interactions Through Performance-led Inquiry and Accessibility – Doga Buse Cavdir

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https://audio.dev/ -- @audiodevcon​
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Designing Music Interactions Through Performance-led Inquiry and Accessibility - Doga Buse Cavdir - ADCx Copenhagen 2026
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In this presentation, Dr. Doga Buse Cavdir explores the intersection of performance, technology, and accessibility, focusing on how designing musical interactions can empower performers through the concept of ""sonic agency."" Moving beyond traditional, purely auditory frameworks, this talk advocates for shifting the focus of music creation toward a holistic, bodily experience that accommodates diverse hearing profiles.

Dr. Cavdir shares insights from three key research initiatives, beginning with ""Felt Sound,"" a project that utilizes subwoofer arrays to deliver high-amplitude, low-frequency vibrations that allow audiences to feel music somatically. The talk discusses the creation of a custom, 3D-printed gesture instrument built using Chuck and Faust, which incorporates interpretations of American Sign Language (ASL) to offer an entry point for deaf listeners and dancers into the performance process.

The presentation concludes by detailing a 15-month longitudinal study collaborating with a deaf jazz ensemble. By repurposing and hacking existing tech—such as adding haptic vests, audio-reactive LED fretboards, and custom wearable sensor gloves—the project illustrates how building musical tools with disabled communities, rather than for them, can foster inclusive environments and reclaim creative agency on stage.
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ADC is an annual event celebrating all audio development technologies, from music applications and game audio to audio processing and embedded systems. ADC’s mission is to help attendees acquire and develop new audio development skills, and build a network that will support their audio developer career.
Annual ADC Conference - https://audio.dev/
https://www.linkedin.com/company/audiodevcon

https://facebook.com/audiodevcon
https://instagram.com/audiodevcon
https://www.reddit.com/r/audiodevcon/
https://mastodon.social/@audiodevcon
---

Streamed & Edited by Digital Medium Ltd: https://online.digital-medium.co.uk
---

Organized and produced by JUCE: https://juce.com/
---

Special thanks to the ADC Team:

Bence Kovacs
Martin Swanholm
Sophie Carus
Derek Heimlich
Andrew Kirk
Bobby Lombardi
Tom Poole
Ralph Richbourg
Jim Roper
Jonathan Roper
Prashant Mishra

#adc #audiodev #dsp #audio #conferenceaudio #audioprocessing #audioproduction #audioprogramming #sound #music #musictech #soundtech #audiotech #audiotechnology

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How to Write Scalable, Deterministic Audio Engines – Janus Lynggaard Thorborg – ADCx Copenhagen 2026

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https://audio.dev/ -- @audiodevcon​
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How to Write Scalable, Deterministic Audio Engines - Janus Lynggaard Thorborg - ADCx Copenhagen 2026
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Does it sound familiar to have the UI responsiveness drop as audio load increases, or have audio stuttering under intensive UI operations?
That an audio track sounds different every time it’s rendered?
And that you end up with a system that seems very hard to test without instabilities or generous timeouts and tolerance?

In this talk we’ll take a brief look at the technology, approaches and architecture you can employ to improve the lives of your own engineering department and build better software for your users!

We’ll identify common pitfalls like atomic variables (!), performance mitigation strategies that may end up hurting and why it could make sense to take a page from graphics architecture in terms of how you may want to structure your interprocess communication. A suggested approach will be evaluated for benefits and tradeoffs.
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Janus Lynggaard Thorborg

Janus Thorborg is a musician, sound designer and audio programmer developing open source audio plugins primarily catering to engineering analysis and experimental R&D.

As a long-tenured staff engineer at Unity, he oversees R&D and architecture of the audio engine in authoring- and realtime contexts.
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ADC is an annual event celebrating all audio development technologies, from music applications and game audio to audio processing and embedded systems. ADC’s mission is to help attendees acquire and develop new audio development skills, and build a network that will support their audio developer career.
Annual ADC Conference - https://audio.dev/
https://www.linkedin.com/company/audiodevcon

https://facebook.com/audiodevcon
https://instagram.com/audiodevcon
https://www.reddit.com/r/audiodevcon/
https://mastodon.social/@audiodevcon
---

Streamed & Edited by Digital Medium Ltd: https://online.digital-medium.co.uk
---

Organized and produced by JUCE: https://juce.com/
---

Special thanks to the ADC Team:

Bence Kovacs
Martin Swanholm
Sophie Carus
Derek Heimlich
Andrew Kirk
Bobby Lombardi
Tom Poole
Ralph Richbourg
Jim Roper
Jonathan Roper
Prashant Mishra

#adc #audiodev #dsp #audio #conferenceaudio #audioprocessing #audioproduction #audioprogramming #sound #music #musictech #soundtech #audiotech #audiotechnology

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A Sine By Any Other Language – David Su – ADC 2025

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https://audio.dev/ -- @audiodevcon​
ADC Bristol ​- 9th - 11th November​
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A Sine By Any Other Language - David Su - ADC 2025
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To paraphrase Shakespeare, ""That which we call a sine / By any other language would sound just as sweet"". As a de facto ""Hello, World!"" of audio programming, the sine wave as implemented through various programming languages can serve as a fruitful lens through which we're able to look at the tools and technologies we use.

This talk describes a journey through implementing sine wave playback using 50 different programming languages, ranging from general-purpose programming languages (such as C++, JavaScript, and Python) to audio-specific environments (such as Max/MSP, Pure Data, and SuperCollider) to, yes, even SQL. We'll use each language's built-in types and functions as well as standard libraries wherever we can, avoiding the use of external libraries as much as possible.

Along the way we'll look at some of the commonalities and differences among the languages, comparing our implementations along axes such as programming paradigms, audio abstraction, real-time vs. offline, and performance (with a grain of salt). Through this process we'll get a sense of the history, motivation, and current landscape of audio programming languages.
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Slides: https://docs.google.com/presentation/d/16RSv1HQ6A1ZcU8R2HzQMtPC-diBQpnAF/edit?usp=drive_link&ouid=113567137566359619653&rtpof=true&sd=true
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David Su

David Su is an audio programmer, game developer, musician, sound designer, and researcher interested in creating new musical experiences through technology. He is currently the lead audio and systems programmer at Brass Lion Entertainment, working on Wu-Tang: Rise of the Deceiver. He is also an adjunct assistant professor at the University of Southern California, teaching a course on sound design for games. Previously David did audio programming on music software at Output, Sunhouse, and Amper Music. His game credits include One Hand Clapping, NFL Endzone, Trolls Music Stars, and Evergreen Blues. David has spoken at conferences such as the Game Developers Conference, GameSoundCon, and the International Computer Music Conference, and his work has been featured in outlets such as Rolling Stone, NPR, and The Guardian. He received his MS from the MIT Media Lab and his BA from Columbia University.

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ADC is an annual event celebrating all audio development technologies, from music applications and game audio to audio processing and embedded systems. ADC’s mission is to help attendees acquire and develop new audio development skills, and build a network that will support their audio developer career.
Annual ADC Conference - https://audio.dev/
https://www.linkedin.com/company/audiodevcon

https://facebook.com/audiodevcon
https://instagram.com/audiodevcon
https://www.reddit.com/r/audiodevcon/
https://mastodon.social/@audiodevcon
---

Streamed & Edited by Digital Medium Ltd: https://online.digital-medium.co.uk
---

Organized and produced by JUCE: https://juce.com/
---

Special thanks to the ADC25 Team:

Sophie Carus
Derek Heimlich
Andrew Kirk
Bobby Lombardi
Tom Poole
Ralph Richbourg
Jim Roper
Jonathan Roper
Prashant Mishra

#adc #audiodev #dsp #audio #conferenceaudio #audioprocessing #audioproduction #audioprogramming #sound #music #musictech #soundtech #audiotech #audiotechnology

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Analog Filters for Realtime Audio – George Gkountouras – ADC 2025

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https://audio.dev/ -- @audiodevcon​
ADC Bristol ​- 9th - 11th November​
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Analog Filters for Realtime Audio - George Gkountouras - ADC 2025
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What makes different analog filters tick? Why does one circuit topology growl and another scream when driven? Is distortion an inherent part of each design, and if so, how can audio programmers incorporate it into their DSP? In this talk, we will demystify analog filters, providing audio developers with a foundational understanding of their behavior, implementation, and potential for creative sound design.

We begin with an introduction to the basic building blocks of filter circuits. These include Passive Components, Operational Amplifiers, and Integrators. Then, we combine them into a full circuit that implements a musical filter.

Next, we show you how to prototype these circuits using interactive simulations. This encourages experimentation, while allowing those without a background in electrical engineering to participate in crafting unique sonic processors.

However, simulations can only go so far when it comes to understanding a circuit. Thus, we will demonstrate how to build the filter you designed in reality. You will be able to measure it, verify that it works and fix any problems that appear along the way.

The next part will focus on more advanced topics, such as Feedback Paths, incorporating Distortion elements (e.g. Transistors) and adding Voltage Control to your filters.

Finally, there will be a realtime audio plugin demo featuring different analog models of classic filter circuits.
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George Gkountouras

George Gkountouras (MSc ECE) is a software engineer, researcher and entrepreneur in the audio software industry. He believes that AI will enable the creation of state-of-the-art music technology products. He has previously given talks at ADC. During his academic career, George regularly taught DSP to undergraduate students. He's worked on compilers, circuit simulators and audio plug-ins. He is also interested in Android audio applications, embedded systems (MCUs, FPGAs, FPAAs), GPU processing, discrete analog circuits, automatic differentiation and julialang.

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ADC is an annual event celebrating all audio development technologies, from music applications and game audio to audio processing and embedded systems. ADC’s mission is to help attendees acquire and develop new audio development skills, and build a network that will support their audio developer career.
Annual ADC Conference - https://audio.dev/
https://www.linkedin.com/company/audiodevcon

https://facebook.com/audiodevcon
https://instagram.com/audiodevcon
https://www.reddit.com/r/audiodevcon/
https://mastodon.social/@audiodevcon
---

Streamed & Edited by Digital Medium Ltd: https://online.digital-medium.co.uk
---

Organized and produced by JUCE: https://juce.com/
---

Special thanks to the ADC25 Team:

Sophie Carus
Derek Heimlich
Andrew Kirk
Bobby Lombardi
Tom Poole
Ralph Richbourg
Jim Roper
Jonathan Roper
Prashant Mishra

#adc #audiodev #dsp #audio #conferenceaudio #audioprocessing #audioproduction #audioprogramming #sound #music #musictech #soundtech #audiotech #audiotechnology

Filed under: UncategorizedTagged with: , , ,

PSD to DAW – Building a Pixel-Perfect UI Pipeline – Bence Kovács – ADC 2025

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https://audio.dev/ -- @audiodevcon​
ADC Bristol ​- 9th - 11th November​
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PSD to DAW - Building a Pixel-Perfect UI Pipeline - Bence Kovács - ADC 2025
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Designers hand off beautiful mockups—but somewhere between Photoshop and the final build, subtle inconsistencies emerge. Assets shift slightly, edges lose sharpness, and layering doesn’t always behave as intended. Why does translating static visuals into production-ready UIs remain so challenging?

This session outlines a practical approach to building native UIs in audio software, with a focus on automating asset export and layout implementation. We’ll look at techniques for maintaining visual fidelity across a range of display types, including strategies for intelligent image resampling. The session also addresses common challenges in component ordering and layering, offering tips that help ensure interfaces are rendered exactly as intended.
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Slides: https://docs.google.com/presentation/d/1Z91UuA1wCUi3zR9ylCIkjqZXBWPViMn8wDHYC034nqs/view
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Bence Kovács

Bence is a software developer specializing in audio and game development, with a focus on creating efficient, scalable solutions. Over the years, he has contributed to diverse projects, including audio plugins, games, and VR experiences. Bence is particularly interested in optimizing both runtime performance and development workflows. His work often involves designing modular architectures that enhance code reusability and facilitate the rapid development of complex audio software.
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ADC is an annual event celebrating all audio development technologies, from music applications and game audio to audio processing and embedded systems. ADC’s mission is to help attendees acquire and develop new audio development skills, and build a network that will support their audio developer career.
Annual ADC Conference - https://audio.dev/
https://www.linkedin.com/company/audiodevcon

https://facebook.com/audiodevcon
https://instagram.com/audiodevcon
https://www.reddit.com/r/audiodevcon/
https://mastodon.social/@audiodevcon
---

Streamed & Edited by Digital Medium Ltd: https://online.digital-medium.co.uk
---

Organized and produced by JUCE: https://juce.com/
---

Special thanks to the ADC25 Team:

Sophie Carus
Derek Heimlich
Andrew Kirk
Bobby Lombardi
Tom Poole
Ralph Richbourg
Jim Roper
Jonathan Roper
Prashant Mishra

#adc #audiodev #dsp #audio #conferenceaudio #audioprocessing #audioproduction #audioprogramming #sound #music #musictech #soundtech #audiotech #audiotechnology

Filed under: UncategorizedTagged with: , , ,

An Open Toolkit for Real-Time Audio Descriptors – Valerio Orlandini – ADC 2025

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https://audio.dev/ -- @audiodevcon​
ADC Bristol ​- 9th - 11th November​
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An Open Toolkit for Real-Time Audio Descriptors - Valerio Orlandini - ADC 2025
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In modern audio applications, from music production and interactive installations to scientific analysis, there is growing demand for real-time insight into the characteristics of sound. The Informer is a comprehensive open-source solution for real-time audio feature extraction and distribution. The system consists of a VST3/AU/LV2 plugin, a standalone application and a VCV Rack module that compute a wide range of time-domain and frequency-domain sound descriptors, broadcasting results via Open Sound Control (OSC) protocol. This makes it ideal for driving visual systems, lighting, generative graphics, or responsive environments in real time.
An accompanying C++ header-only library (with Python bindings) makes the underlying algorithms easily accessible to developers, allowing them to embed its analysis engine directly into custom software, interactive installations, or multimedia frameworks. Moreover, a Max for Live device facilitates its usage within Ableton Live, enabling sound-driven modulation, generative setups, and beyond.

Built on open source frameworks and distributed under free software licenses, The Informer bridges technical audio analysis with creative applications in music production, audiovisual performance, interactive installations, and scientific research.

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Valerio Orlandini

Valerio Orlandini is a composer, sound designer, and researcher based in Florence, Italy, whose work explores the evolving relationships between sound, technology, and perception. Active since the mid-2000s in the ambient and industrial scenes, his practice has steadily shifted toward a more exploratory fusion of electroacoustic composition, field recording, and experimental sound design.
With a background in biology and informatics, Valerio brings a transdisciplinary lens to sound. His research bridges artistic intuition with scientific method, focusing on how technology can deepen our understanding of musical structures, emotional response, and multimedia interaction.
Graduated in Biology and in Music and New Technologies, he is currently pursuing a PhD on the intersection of music, perception, and AI. Parallel to his artistic practice, he works as a software developer and researcher in the fields of music technology and interactive systems, creating tools and environments where machines listen, respond and sometimes even compose.

---

ADC is an annual event celebrating all audio development technologies, from music applications and game audio to audio processing and embedded systems. ADC’s mission is to help attendees acquire and develop new audio development skills, and build a network that will support their audio developer career.
Annual ADC Conference - https://audio.dev/
https://www.linkedin.com/company/audiodevcon

https://facebook.com/audiodevcon
https://instagram.com/audiodevcon
https://www.reddit.com/r/audiodevcon/
https://mastodon.social/@audiodevcon
---

Streamed & Edited by Digital Medium Ltd: https://online.digital-medium.co.uk
---

Organized and produced by JUCE: https://juce.com/
---

Special thanks to the ADC25 Team:

Sophie Carus
Derek Heimlich
Andrew Kirk
Bobby Lombardi
Tom Poole
Ralph Richbourg
Jim Roper
Jonathan Roper
Prashant Mishra

#adc #audiodev #dsp #audio #conferenceaudio #audioprocessing #audioproduction #audioprogramming #sound #music #musictech #soundtech #audiotech #audiotechnology

Filed under: UncategorizedTagged with: , , ,

Designing a Procedural Sequencer Powered by Music-Theory – Romy Dugue & Cecill Etheredge – ADC 2025

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https://audio.dev/ -- @audiodevcon​
ADC Bristol ​- 9th - 11th November
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Beyond the DAW - Designing a Procedural Sequencer Powered by Music-Theory - Romy Dugue & Cecill Etheredge - ADC 2025
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Most music composition tools originate from either traditional sequencing DAWs or purely procedural programming environments. While many have evolved into hybrid DAWs that incorporate elements of both approaches, they remain largely defined by their origins - addressing innovation through UI enhancements rather than rethinking core architecture.

This talk explores a DAW reimagined, merging clip-based sequencing with procedural programming principles and a graph-based framework. Our approach treats music theory not as an absolute truth, but as a set of human-created toolboxes - for jazz harmony, classical composition, microtonal musics, and more - that musicians can apply creatively and procedurally while maintaining full non-destructive control within a linear timeline.

This system lets musicians navigate by ear through theoretical possibilities — trying different tools, keeping what fits, and discarding the rest. Procedural generation becomes an optional co-pilot rather than a gatekeeper, helping musicians leverage complex theoretical concepts without formal training or simply step around them altogether.

The main focus will be on combining the immediacy of traditional sequencing with the flexibility of procedural systems, where theory can shape compositions - rather than merely sketching them out. We'll examine how to architect the sequencer as a directed graph of conventional DAW elements such as tracks and clips, and combine this with composable, non-destructive operations. It will be explained how such graph-based architectures enable complex node interdependencies that formally represent and manipulate various aspects of music theory.
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Slides: https://data.audio.dev/talks/2025/beyond-the-daw.pdf
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Romy Dugue

I'm a JUCE developer who builds audio plugins for clients worldwide—everything from wild effects to expressive synths. When I'm not coding or out at concerts, you'll find me making music, from stoner rock to techno. I believe the best music technology doesn't get in your way or steal the fun parts of making music; instead, it becomes part of your creative flow. That's what drives my work: building tools that understand the joy of creation and amplify it rather than complicate it.

Cecill Etheredge

In daily life, Cecill serves as the Technical Director of KoalaDSP, a European startup focused on whitelabel DSP, middleware and audio plugin development for major industry players. In the remaining hours, Cecill channels his engineering skills and artistic flair into tackling challenging and complex problems, driven by a classic hacker ethos and curiosity. With a lifelong passion for technology and music, and over 20 years of experience in areas involving hardware, games, graphics, audio & algorithms, Cecill is still on a never-ending journey to learn, to create impactful innovations, and to share the lessons learned with others.
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ADC is an annual event celebrating all audio development technologies, from music applications and game audio to audio processing and embedded systems. ADC’s mission is to help attendees acquire and develop new audio development skills, and build a network that will support their audio developer career.
Annual ADC Conference - https://audio.dev/
https://www.linkedin.com/company/audiodevcon

https://facebook.com/audiodevcon
https://instagram.com/audiodevcon
https://www.reddit.com/r/audiodevcon/
https://mastodon.social/@audiodevcon
---

Streamed & Edited by Digital Medium Ltd: https://online.digital-medium.co.uk
---

Organized and produced by JUCE: https://juce.com/
---

Special thanks to the ADC25 Team:

Sophie Carus
Derek Heimlich
Andrew Kirk
Bobby Lombardi
Tom Poole
Ralph Richbourg
Jim Roper
Jonathan Roper
Prashant Mishra

#adc #audiodev #dsp #audio #conferenceaudio #audioprocessing #audioproduction #audioprogramming #sound #music #musictech #soundtech #audiotech #audiotechnology

Filed under: UncategorizedTagged with: , , ,

Exploring Modularity, Reusability, and Instrument Identity in Audio Software – Gonçalo Bernardo

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https://audio.dev/ -- @audiodevcon​
ADC Japan - 1st - 3rd June
ADC Bristol ​- 9th - 11th November​
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Should Audio Plugins Have “Everything Everywhere All at Once”? - Exploring Modularity, Reusability, and Instrument Identity in Audio Software - Gonçalo Bernardo - ADC 2025
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Modern plugin development often faces a central dilemma: how much feature commonality is too much? What began as a highly specific tool inside one instrument—designed to solve a particular creative need—unexpectedly gained traction among users. The overwhelmingly positive feedback raised an important question for the team: could this feature be abstracted into a flexible, reusable component across multiple instruments? This led to a deeper architectural shift.

By elevating the original feature into a generic, SDK-level module—complete with modulation systems, advanced sequencing, effects, and routing—we enable a consistent user experience across diverse plugins, while reducing development overhead. However, this raises new design questions: when does standardization enhance creativity, and when might it flatten the unique identities of individual instruments? This talk explores the balance between shared modules, features/frameworks, and product specificity in modern audio software.
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Slides: https://data.audio.dev/talks/2025/should-audio-plugins-have-everything-everywhere-all-at-once.pptx
---

Gonçalo Bernardo

Gonçalo Bernardo is an Audio Software Engineer at ARTURIA, where he develops and maintains core audio engine components and plugin frameworks used across software instruments and effects, shaping workflows for advanced music and sound production.
With a background in spatial audio and generative systems, his work explores the intersection of software design, creative coding, and computational acoustics, supported by publications in computational music and ambient generative systems. He previously contributed to the development of spatial sound tools and synthesizers at Sound Particles. Alongside his engineering practice, Gonçalo maintains an artistic activity under the alias “ÇALO DO MAR E DA TERRA” exploring immersiveness through interactive and generative installations.

---

ADC is an annual event celebrating all audio development technologies, from music applications and game audio to audio processing and embedded systems. ADC’s mission is to help attendees acquire and develop new audio development skills, and build a network that will support their audio developer career.
Annual ADC Conference - https://audio.dev/
https://www.linkedin.com/company/audiodevcon

https://facebook.com/audiodevcon
https://instagram.com/audiodevcon
https://www.reddit.com/r/audiodevcon/
https://mastodon.social/@audiodevcon
---

Streamed & Edited by Digital Medium Ltd: https://online.digital-medium.co.uk
---

Organized and produced by JUCE: https://juce.com/
---

Special thanks to the ADC25 Team:

Sophie Carus
Derek Heimlich
Andrew Kirk
Bobby Lombardi
Tom Poole
Ralph Richbourg
Jim Roper
Jonathan Roper
Prashant Mishra

#adc #audiodev #dsp #audio #conferenceaudio #audioprocessing #audioproduction #audioprogramming #sound #music #musictech #soundtech #audiotech #audiotechnology

Filed under: UncategorizedTagged with: , , ,

Embedded Musical Signal Processing with Csound 7 – From Microcontrollers to FPGAs – Aman Jagwani

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  • Tag Archives: audiodev

https://audio.dev/ -- @audiodevcon​
ADC Japan - 1st - 3rd June
ADC Bristol ​- 9th - 11th November​
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Embedded Musical Signal Processing with Csound 7 - From Microcontrollers to FPGAs - Aman Jagwani
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This talk will present new advancements in the sound and music computing system, Csound. With the newest major version upgrade, an expansion in the range of supported hardware to bare-metal and co-processing platforms has been added. These platforms include ARM Cortex microcontrollers, FPGA-based system-on-chips, and general-purpose GPUs. This provides users with the ability to design custom audio devices, pedals, synthesizers, interactive installations, etc., through abstracted hardware interfacing along with the familiarity and expansive signal processing capabilities of a mature language like Csound. In this talk, we will highlight the process of porting the system to these platforms, particularly the challenges in adapting it to environments without operating systems and, at times, with lower computational and memory resources. We then discuss implementations across different bare-metal ARM hardware platforms such as the Electrosmith Daisy. Following that, we will highlight the co-processing possibilities across general-purpose GPUs and FPGA-based SoC platforms. Lastly, we will end with a discussion of musical possibilities that these expanded platforms enable in the areas of composition, performance, and interactive installations.
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Aman Jagwani is an audio programmer, musician and researcher from Mumbai, India, specializing in embedded audio research and open source musical programming and signal processing systems.
---

ADC is an annual event celebrating all audio development technologies, from music applications and game audio to audio processing and embedded systems. ADC’s mission is to help attendees acquire and develop new audio development skills, and build a network that will support their audio developer career.
Annual ADC Conference - https://audio.dev/
https://www.linkedin.com/company/audiodevcon

https://facebook.com/audiodevcon
https://instagram.com/audiodevcon
https://www.reddit.com/r/audiodevcon/
https://mastodon.social/@audiodevcon
---

Streamed & Edited by Digital Medium Ltd: https://online.digital-medium.co.uk
---

Organized and produced by JUCE: https://juce.com/
---

Special thanks to the ADC team:

Sophie Carus
Derek Heimlich
Andrew Kirk
Bobby Lombardi
Tom Poole
Ralph Richbourg
Jim Roper
Jonathan Roper
Prashant Mishra

#adc #audiodev #dsp #audio #conferenceaudio #audioprocessing #audioproduction #audioprogramming #sound #music #musictech #soundtech #audiotech #audiotechnology

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