A Sine By Any Other Language

Testing Testing 1, 2, 3

Beyond the DAW

Designing a Procedural Sequencer Powered by Music-Theory

Finding OSCar

Hacking Deep Neural Networks for Experimental Music Making

Tabla to Drumset

Translating Rhythmic Language through Machine Learning

Mind the Spike

Benchmarking for Worst-Case Execution Time in Realtime Code

Instrument Your Code So it Can Sing

Peeking Inside Audio Units

A Practical Reverse Engineering Journey

Converting Source Separation Models to ONNX for Real Time Usage in DJ Software

Why Do People Actually Buy Music Software, Anyway?

Bridging Audio Analysis and Interaction

An Open Toolkit for Real-Time Descriptors

Bringing Terminals to Life

A Journey into CLAP Plugins with FTXUI

Should Audio Plugins Have “Everything Everywhere All at Once”?

PSD to DAW

Building a Pixel-Perfect UI Pipeline

2.5 Years Later

A C++ Framework for Audio ML Research Prototyping

Creative Coding

Geometry and OpenGL with Audio

PhilTorch

Accelerating Automatic Differentiation of Digital Filters In PyTorch

A History of FLAC, the Free Lossless Audio Codec

Real-Time Audio in Python

Introducing the asmu Package

Engineering Practices Break Music Interaction (but Can Also Fix It)

It’s Just a Phase

Helicopter View of Audio ML

Why You Can’t Get Hired and What You’re Going To Do About It

Overview of Granular Synthesis

The Practices of Audio Programming

Hacking Handhelds for Creative Audio

Building Music Applications for the New Nintendo 3DS

Get Sharp at the Cutting Edge

Continuous QA Testing for Plugins Using AI and Python

Music Design and Systems

Achieving Inaudibly Complex Systems in Video Games

Real-Time, Low Latency and High Temporal Resolution Spectrograms

Creating from Legacy Code

A Case Study of Porting Legacy Code from Exponential Audio

Modern Feedback Delay Networks for Realistic and Creative Reverberation

The Real Waveform Matters

The Samples Are Not Always What They Seem

Plot Twist

How Splines Quietly Run Your Signal Chain

I Love the Docs

Documentation As Design Process for Music Tech Products

Emotion in the Signal

EEG-Driven Adaptive Music for Games, VR, and Immersive Media

Channel Agnosticism in MetaSounds

Simplifying Audio Formats for Reusable Graph Topologies

Level Up!

Procedural Game Music and Audio

Chaos, Logic, and Physics

Lessons from Building a 3D DAW in Unity

Building Inclusive Audio Tools

Accessibility with ARIA, WCAG, and Real-World Projects

Building an Optimized DSP Framework in Modern C++

Lock-free Queues in the Multiverse of Madness

Driving Chaos

Virtual Analog Modelling of a Chaotic Circuit with Wave Digital Filters

ADC 2015 to 2035

Looking Back at 10 Years of Audio Dev, and Peering Forward at the Next 10

Efficient Task Scheduling in a Multithreaded Audio Engine

Developing your own DSP framework

Would You, Could You, Should You?

Safe and Sound

Using C++ Audio Libraries from Rust

Demystifying std::memory_order

Analog Filters for Realtime Audio

Modernizing Legacy Audio Plugin Codebases

Lessons from FL Studio’s Plugin Suite

Implementing Wave Terrain Synthesis

Carving Paths into Sonic Landscapes

Distorted Reality

Myths about Harmonics and Distortion

How To Successfully Develop Software Products

Perfect Oscillators in Less Than One Clock Cycle

Doodads & Doohickeys

A Guide to Theory-Crafting & Modelling a Fictional Acoustic Instrument

Understanding JUCE Drawing

Rules for Measurable Performance Improvements

Enumerate and Extract Audio Buffers When Debugging C++ Applications

The Shape of Sound

Building and Bending Vinyl Grooves in Software