Category: Uncategorized

Reinventing the Plugin Editor – Immediate Mode GUIs for Audio Plugins – Gustav Andersson – ADC 2024

https://audio.dev/ -- @audiodevcon​
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Reinventing the Plugin Editor - Immediate Mode GUIs for Audio Plugins - Gustav Andersson - ADC 2024
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Introduction
What happens when you want to build a plugin but you suffer from not-invented-here syndrome and you like things that are minimalistic and self-contained?

Traditional plugin GUIs like JUCE and VSTGUI, are mature, powerful and give the user a lot for free. On the flipside, they also tend to be heavyweight, have many dependencies, and using them often result in a lot of boilerplate code and state synchronisation issues.

Some years ago I discovered that there was a whole class of minimalistic GUI libraries (Nuklear, Dear ImGui, NanoVG/NanoGUI, etc) originating from the game dev world that were vector based, hardware accelerated and often based on a paradigm know as Immediate Mode GUI.

Immediate mode GUIs offer a clean API that does away with widgets and callbacks, allows for rapid prototyping, minimises boiler plate code and state synchronisation and generally can do more with less code. The memory and disk footprints also tend to be small.

This talk will explore how to integrate a GUI framework that was not built with plugins in mind, to work in an audio plugin editor. In the process we will learn about how GUIs work under the hood, all the nitty gritty details of windowing systems on different platforms, and in particular how threading works in them, and how threading works when your GUI runs inside a plugin that runs inside of a host process - Whose bloody message thread is it really?

And then we will see what happens when we bring hardware accelerated graphics like OpenGL into the picture.

The examples in the talk will be based on Dear ImGui, as I found it the most mature and actively maintained project in the genre. But the majority of content in this talk will be useful for any GUI framework. And for those who just want to have a better understanding and appreciation of all the things a well written GUI framework will do for you.
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Slides: https://data.audio.dev/talks/2024/reinventing-the-plugin-editor/slides.pdf
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Gustav Andersson

Musician, photographer, coder, runner. In the space between technology and art. Senior software engineer for Elk Audio in Stockholm with a passion for everything that makes sounds. Currently into gritty 80/90s reverb and ambient feedback loops.
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ADC is an annual event celebrating all audio development technologies, from music applications and game audio to audio processing and embedded systems. ADC’s mission is to help attendees acquire and develop new audio development skills, and build a network that will support their audio developer career.
Annual ADC Conference - https://audio.dev/
https://www.linkedin.com/company/audiodevcon

https://facebook.com/audiodevcon
https://instagram.com/audiodevcon
https://www.reddit.com/r/audiodevcon/
https://mastodon.social/@audiodevcon
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Streamed & Edited by Digital Medium Ltd: https://online.digital-medium.co.uk
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Organized and produced by JUCE: https://juce.com/
---

Special thanks to the ADC24 Team:

Sophie Carus
Derek Heimlich
Andrew Kirk
Bobby Lombardi
Tom Poole
Ralph Richbourg
Jim Roper
Jonathan Roper
Prashant Mishra

#audioplugins #adc #audiodev #dsp #audio #conferenceaudio #audioprocessing #audioproduction #audioprogramming #musictech #soundtech #audiotech #audiotechnology #guis

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Playful Interfaces for Experimental Music – Allwin Williams – ADCxGather 2024

https://audio.dev/ -- @audiodevcon​
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Playful Interfaces for Experimental Music - Allwin Williams - ADCxGather 2024
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Traditional musical instruments are tactile, intuitive, and rewarding, allowing musicians to connect directly with the sounds they create. However, today’s experimental music tools can feel intimidating—modular synthesizers with knobs and wires, and complex programming often lack the simple joy of hitting, playing, and freely exploring sounds. They create a barrier for beginners wanting to explore.

To address this gap, new interfaces are needed to bring back that immediate, playful connection to sound. By making experimental music tools more intuitive, hands-on, and accessible, these new interfaces can allow more people to explore sonic creativity without requiring in-depth technical skills or knowledge. In my talk, I’ll discuss specific examples of these new interfaces from around the world and how an interaction design approach can help lower these barriers, making experimental music more inviting and approachable for everyone. This shift can encourage more people to express themselves through sound, opening up experimental music to a broader audience.
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Allwin Williams

Allwin is an interaction designer currently working with a science museum to setup a sound and music gallery. He also runs a personalized fashion business and takes courses on tangible interface design at design schools. He loves experimenting with tech, electronics, and the web.
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ADC is an annual event celebrating all audio development technologies, from music applications and game audio to audio processing and embedded systems. ADC’s mission is to help attendees acquire and develop new audio development skills, and build a network that will support their audio developer career.
Annual ADC Conference - https://audio.dev/
https://www.linkedin.com/company/audiodevcon

https://facebook.com/audiodevcon
https://instagram.com/audiodevcon
https://www.reddit.com/r/audiodevcon/
https://mastodon.social/@audiodevcon
---

Streamed & Edited by Digital Medium Ltd: https://online.digital-medium.co.uk
---

Organized and produced by JUCE: https://juce.com/
---

Special thanks to the ADCxGather Team:

Sophie Carus
Derek Heimlich
Andrew Kirk
Bobby Lombardi
Tom Poole
Ralph Richbourg
Jim Roper
Jonathan Roper
Prashant Mishra

#adc #audiodev #dsp #audio #conferenceaudio #audioprocessing #audioproduction #audioprogramming #sound #music #musictech #soundtech #audiotech #audiotechnology

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Amplifying Efficiency – Business Infrastructure for Audio Startups – Alexandra Arutian & Samuel Fischmann – ADC 2024

https://audio.dev/ -- @audiodevcon​
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Amplifying Efficiency - Business Infrastructure for Audio Startups - Alexandra Arutian & Samuel Fischmann - ADC 2024
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Have a great audio product (or idea for an audio product) but don’t know how to turn it into a business? Want to start your own audio plugin company but have no idea what that even means? Already have a product but don’t know how to get momentum in the market? Learn from our mistakes!

We acquired decades of experience in internal business tools and systems, financial analysis, automation, and analytics before leaving our 9-to-5 jobs to start a new audio venture. Even with all that background, we’ve had to learn a lot in the last two years, and have a ton of information to share with you.

While we’re going to cover all the usual tools a small business should deploy and our own takeaways on each, this talk focuses on what we believe is one of the keys to our success: Infrastructure. It’s an often-overlooked (and frankly, avoided) aspect of running a business that many people think they can’t afford to spend time on. We think you can’t afford not to.
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Slides: https://data.audio.dev/talks/2024/amplifying-efficiency/slides.pdf
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Alexandra Arutian

Alex started her career in financial analysis for a large bank, where she spent years making sense of abstract data for executives, shareholders, and regulators. She discovered Python, and loved it so much that she left financial services to join Musik Hack and build its custom backend. Today, she is one of the three Musik Hack co-owners, and leads Web development, APIs, and infrastructure (licensing, payments, product authorization, etc.). She also spends a lot of time listening to music, baking bread to enable a longstanding carbohydrate addiction, and thinking about elevator efficiency.
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Samuel Fischmann

Sam is the technical co-founder of Musik Hack, and a seasoned software developer whose portfolio spans audio/DSP, Web development, data analytics, and embedded systems. He’s also a composer and longtime musician. Sam is obsessed with building creative, functional, major-label-quality products that don’t look like airplane cockpits, and helping spread the joy of music through more intuitive approaches to DSP. If you ask nicely, he can also cook up a mean marinara...
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ADC is an annual event celebrating all audio development technologies, from music applications and game audio to audio processing and embedded systems. ADC’s mission is to help attendees acquire and develop new audio development skills, and build a network that will support their audio developer career.
Annual ADC Conference - https://audio.dev/
https://www.linkedin.com/company/audiodevcon

https://facebook.com/audiodevcon
https://instagram.com/audiodevcon
https://www.reddit.com/r/audiodevcon/
https://mastodon.social/@audiodevcon
---

Streamed & Edited by Digital Medium Ltd: https://online.digital-medium.co.uk
---

Organized and produced by JUCE: https://juce.com/
---

Special thanks to the ADC24 Team:

Sophie Carus
Derek Heimlich
Andrew Kirk
Bobby Lombardi
Tom Poole
Ralph Richbourg
Jim Roper
Jonathan Roper
Prashant Mishra

#adc #audiodev #startup #startups #startupsuccess #audio #conferenceaudio #sound #music #musictech #soundtech #audiotech #audiotechnology #audioplugins #audioplugin

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Inside Game Audio Programming: Purpose, Process, and Impact – Harleen Singh – ADC 2024

https://audio.dev/ -- @audiodevcon​
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Inside Game Audio Programming: Purpose, Process, and Impact - Harleen Singh - ADC 2024
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In recent years, there has been a hike in the number of audio programming roles in the games industry, along with many misconceptions about the role. This talk will delve into the responsibilities of audio programmers in the games industry and explore the variety of tasks they perform, which can differ significantly between companies. It will address common misconceptions about the role, outline the essential skills and knowledge required and offer recommendations for platforms and resources to learn these skills.

Attendees will gain a comprehensive understanding of the day-to-day work of audio programmers in the games industry, as well as the various specialisations within the field.
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Slides: https://data.audio.dev/talks/2024/unpacking-the-role-of-audio-programmers-in-the-games-industry/slides.pptx
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Harleen Singh

Harleen is an audio programmer based in Edinburgh, specialising in tools and run-time systems for video games. He began his career at Tazman-Audio, where he contributed to internal projects such as SoundMaker and Engine Loop Creator, as well as external projects like Sony's Helldivers 2. Currently, Harleen works at nDreams, a leading VR game developer, focusing on cross-platform VR audio systems.

Beyond his professional work, Harleen has been an active member of Limit Break, a mentorship programme for underrepresented groups in the UK games industry, participating as a mentee for the last two cohorts and as a mentor in this year's programme. In his free time, Harleen likes to argue with people about the correct way to make coffee, play video games, and dream about the day he'll finally finish that one side project that's been "almost done" for a year.
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ADC is an annual event celebrating all audio development technologies, from music applications and game audio to audio processing and embedded systems. ADC’s mission is to help attendees acquire and develop new audio development skills, and build a network that will support their audio developer career.
Annual ADC Conference - https://audio.dev/
https://www.linkedin.com/company/audiodevcon
https://twitter.com/audiodevcon
https://facebook.com/audiodevcon
https://instagram.com/audiodevcon
https://www.reddit.com/r/audiodevcon/
https://mastodon.social/@audiodevcon
---

Streamed & Edited by Digital Medium Ltd: https://online.digital-medium.co.uk
---

Organized and produced by JUCE: https://juce.com/
---

Special thanks to the ADC24 Team:

Sophie Carus
Derek Heimlich
Andrew Kirk
Bobby Lombardi
Tom Poole
Ralph Richbourg
Jim Roper
Jonathan Roper
Prashant Mishra

#audioprogramming #gamesindustry #adc #audiodev #dsp #audio #conferenceaudio #audioprocessing #audioproduction #sound #musictech #soundtech #audiotech #audiotechnology

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How to Build a Simple, Modern & Collaborative DAW for Producers of All Levels – Anurag Choudhary

https://audio.dev/ -- @audiodevcon​
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How to Build a Simple, Modern & Collaborative DAW for Producers of All Levels - Anurag Choudhary - ADCxGather 2024
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We’ll talk about the technological and behavioural shifts occurring in the space of music production, and how the next generation of DAWs should adapt to those. Specifically, we’ll talk about how we can drive simplicity, adopt modern standards, and build for collaboration from the ground up.

The talk will go through the following topics:

- Driving Simplicity: Balancing control and convenience, and a case against skeuomorphism. We’ll also look at how complex workflows can be made more intuitive through manageable and delightful interactions.
- Adopting Modern Standards: We’ll look at three arcs here: AI-native, CLAP plugins, and DAWProject. Each of them are modernising workflows across the user flow, from inspiration to finishing, to interoperability between DAWs. We also discuss what creativity and productivity represent for a producer, what ‘real’ means, and how new technologies should think about ethics and integrity.
- Building for Collaboration: We’ll look at what ‘collaboration’ means for music production, why DAWs have been unable to achieve success in them, and relevant examples from adjacent industries.
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Anurag Choudhary

Anurag is the founder of an early-stage startup, Riffle - a canva for music production. A CS grad from Illinois and an MBA from Chicago Booth, Anurag comes with a diverse set of experiences, from building a no-code platform at Microsoft to being a product lead at Traba building worker experiences.

Having been a semi-pro producer and musician for more than a decade, Anurag has deep empathy for producers of all levels, and is applying first principles thinking with Riffle in imagining a world where producing music is simpler, more modern, and more collaborative.
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ADC is an annual event celebrating all audio development technologies, from music applications and game audio to audio processing and embedded systems. ADC’s mission is to help attendees acquire and develop new audio development skills, and build a network that will support their audio developer career.
Annual ADC Conference - https://audio.dev/
https://www.linkedin.com/company/audiodevcon

https://facebook.com/audiodevcon
https://instagram.com/audiodevcon
https://www.reddit.com/r/audiodevcon/
https://mastodon.social/@audiodevcon
---

Streamed & Edited by Digital Medium Ltd: https://online.digital-medium.co.uk
---

Organized and produced by JUCE: https://juce.com/
---

Special thanks to the ADCxGather Team:

Sophie Carus
Derek Heimlich
Andrew Kirk
Bobby Lombardi
Tom Poole
Ralph Richbourg
Jim Roper
Jonathan Roper
Prashant Mishra

#daw #adc #audiodev #dsp #audio #conferenceaudio #audioprocessing #audioproduction #audioprogramming #sound #musictech #soundtech #audiotech #audiotechnology

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Javascript, WebViews and C++ – “If You Can’t Beat Them, Join Them” – Julian Storer – ADC 2024

https://audio.dev/ -- @audiodevcon​
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Javascript, WebViews and C++ - “If You Can’t Beat Them, Join Them” - Julian Storer - ADC 2024
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This talk is an "everything you need to know" about the pros, cons, tricks, tips and gotchas of using a WebView and javascript in your native C++ app or plugin.

Over the last few years, more and more developers have been drawn to web-technology for their GUIs because HTML/CSS/JS is so ubiquitous, has great tools, a huge ecosystem, and is fast to iterate on. However, gaffer-taping a WebView onto some back-end code written in C++ can be complicated.

After 30 years of writing UIs (and UI frameworks) in C++, I've spent the last couple of years migrating to WebViews in several projects. This talk is a brain-dump of what you need to know about this from the perspective of an audio/realtime C++ developer.

I'll cover the essential best-practices of how to create and manage mixed C++/JS projects, lessons learned, gotchas, benchmarks, top tips, and all the pros and cons you might be wondering about if you're a "web-curious" C++ coder.
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Julian Storer

I'm the creator of JUCE, Tracktion, Cmajor and CHOC 🙂
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ADC is an annual event celebrating all audio development technologies, from music applications and game audio to audio processing and embedded systems. ADC’s mission is to help attendees acquire and develop new audio development skills, and build a network that will support their audio developer career.
Annual ADC Conference - https://audio.dev/
https://www.linkedin.com/company/audiodevcon

https://facebook.com/audiodevcon
https://instagram.com/audiodevcon
https://www.reddit.com/r/audiodevcon/
https://mastodon.social/@audiodevcon
---

Streamed & Edited by Digital Medium Ltd: https://online.digital-medium.co.uk
---

Organized and produced by JUCE: https://juce.com/
---

Special thanks to the ADC24 Team:

Sophie Carus
Derek Heimlich
Andrew Kirk
Bobby Lombardi
Tom Poole
Ralph Richbourg
Jim Roper
Jonathan Roper
Prashant Mishra

#adc #javascript #cpp #webview #audiodev #audio #conferenceaudio #audioprocessing #audioproduction #audioprogramming #musictech #soundtech #audiotech #audiotechnology

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In Praise of Loudness – Samuel Fischmann – ADC 2024

https://audio.dev/ -- @audiodevcon​
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In Praise of Loudness - Samuel Fischmann - ADC 2024
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Let's talk about the greatest controversy in modern music production: LOUDNESS. Sacred to some, profane to others, the desire for loudness has spawned myriad techniques, products, and narratives throughout our industry. But which narratives are misguided and which are enlightening? How do various techniques stack up and what are the compromises? Why has loudness been vilified so much in the last couple decades? And ultimately, what is so useful and seductive about loudness in the music we hear?

This presentation aims to give you a much deeper understanding of loudness: what it is, how it's measured, how technology enhances it, how myths of its goodness or evil came to be, how regulatory bodies came to their distribution standards, how it fits into our products, and how it changes the way we produce and perceive music. So, if you'd like to sit down in front of a limiter without guilt and get your music heard, take a seat and listen to what loud can do for you.
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Slides: https://data.audio.dev/talks/2024/in-praise-of-loudness/slides.pdf
---

Samuel Fischmann

Sam is the technical co-founder of Musik Hack, and a seasoned software developer whose portfolio spans audio/DSP, Web development, data analytics, and embedded systems. He’s also a composer and longtime musician. Sam is obsessed with building creative, functional, major-label-quality products that don’t look like airplane cockpits, and helping spread the joy of music through more intuitive approaches to DSP. If you ask nicely, he can also cook up a mean marinara...
---

ADC is an annual event celebrating all audio development technologies, from music applications and game audio to audio processing and embedded systems. ADC’s mission is to help attendees acquire and develop new audio development skills, and build a network that will support their audio developer career.
Annual ADC Conference - https://audio.dev/
https://www.linkedin.com/company/audiodevcon
https://twitter.com/audiodevcon
https://facebook.com/audiodevcon
https://instagram.com/audiodevcon
https://www.reddit.com/r/audiodevcon/
https://mastodon.social/@audiodevcon
---

Streamed & Edited by Digital Medium Ltd: https://online.digital-medium.co.uk
---

Organized and produced by JUCE: https://juce.com/
---

Special thanks to the ADC24 Team:

Sophie Carus
Derek Heimlich
Andrew Kirk
Bobby Lombardi
Tom Poole
Ralph Richbourg
Jim Roper
Jonathan Roper
Prashant Mishra

#adc #audiodev #amplitude #musicproduction #audio #conferenceaudio #audioproduction #audioprogramming #sound #music #musictech #soundtech #audiotech #audiotechnology

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Shrink Your Virtual Analog Model Neural Networks! – Christopher Clarke – ADCxGather 2024

https://audio.dev/ -- @audiodevcon​
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Shrink Your Virtual Analog Model Neural Networks! - Christopher Clarke - ADCxGather 2024
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Capturing the complex nonlinear behaviors of analog circuits in virtual analog modeling is a significant challenge. Selecting the appropriate neural network size and architecture for these function approximation tasks currently relies heavily on trial-and-error methods like grid search. These approaches are time-consuming, computationally intensive, and lack a solid theoretical foundation, often resulting in oversized models that are inefficient and impractical for real-time applications. This talk introduces ideas for a framework that systematically determines optimal neural network architectures for modeling. The talk will speak about examining the geometric structures and symmetries in the complexity of the model, and the designation of neural network architectures that replicate these systems while focusing on efficient resource utilization. This approach centers specifically on function approximation, tailoring the network architecture to the mathematical functions underlying the model. Large networks memorize training data instead of learning underlying patterns, leading to poor generalization; additionally, oversized networks consume excessive computational resources, resulting in increased memory usage, adding to the challenge of hardware limitations and the necessity for low-latency responses as code, code as a compiler, and the output as a function. This perspective aims to streamline the development process and enhance the practical deployment of neural networks in audio signal processing.
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Christopher Clarke

Graduated PhD in with research in Artificial Intelligence (DSP) from the Singapore University of Technology and Design (Science, Math, and Technology Cluster) – President’s Fellowship Program & Computer and Information Sciences (CIS) Scholarship. Member of the Interdisciplinary Audio and Acoustics Research Group at SUTD. My passion lies with low-latency audio plugin/framework implementations, particularly for applications that have traditionally been deemed otherwise. My PhD's research focuses on the AI/ML technologies to run extremely low-latency (microsecond and below) audio processing, even on low-compute devices such as embedded microcontrollers or System-on-a-Chip. As a Music Technologist with focus on generative algorithms and stochastic modelling for music generation, I have presented fixed site-specific installations and deployed software libraries on music generation
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ADC is an annual event celebrating all audio development technologies, from music applications and game audio to audio processing and embedded systems. ADC’s mission is to help attendees acquire and develop new audio development skills, and build a network that will support their audio developer career.
Annual ADC Conference - https://audio.dev/
https://www.linkedin.com/company/audiodevcon
https://twitter.com/audiodevcon
https://facebook.com/audiodevcon
https://instagram.com/audiodevcon
https://www.reddit.com/r/audiodevcon/
https://mastodon.social/@audiodevcon
---

Streamed & Edited by Digital Medium Ltd: https://online.digital-medium.co.uk
---

Organized and produced by JUCE: https://juce.com/
---

Special thanks to the ADCxGather Team:

Sophie Carus
Derek Heimlich
Andrew Kirk
Bobby Lombardi
Tom Poole
Ralph Richbourg
Jim Roper
Jonathan Roper
Prashant Mishra

#ai #neuralnetworks #neuralnetwork #adc #audiodev #dsp #audio #conferenceaudio #audioprocessing #audioproduction #audioprogramming #audiotech #audiotechnology

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KEYNOTE: Foundation Models Don’t Understand Me – Lessons From AI Lutherie for Live Performances – Manaswi Mishra

https://audio.dev/ -- @audiodevcon​
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Keynote: Foundation Models Don’t Understand Me - Lessons From AI Lutherie for Live Performances - Manaswi Mishra - ADC 2024
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Living in a world of rapidly accelerating synthetic media, the outputs of generative AI often leave us feeling frustrated, amused, and even manipulated. Early examples of creative AI tools struggle to go beyond imitating styles and patterns, producing a context-less blend of borrowed aesthetics from the datasets they’re trained on. This race to the statistically average flattened aesthetic, misunderstands the core goals of creative expression. In contrast, Audio developers and Instrument builders understand the importance of providing a toolkit of exploration, intentional serendipity and discovery to a new age of artists performing with AI. In my work of building AI musical instruments for live Opera, Symphony and Installations, I share a framework of frustrations and guidelines for AI instrument building.
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Slides: https://data.audio.dev/talks/2024/foundation-models-dont-understand-me/slides.pdf
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Manaswi Mishra

Manaswi Mishra is a LEGO Pappert Fellow and a current PhD research assistant in the Opera of the Future group, MIT Media Lab. His research explores strategies and frameworks for a new age of composing, performing and learning music using A.I. centered on bespoke human intent. He joined the MIT Media Lab in 2019 and completed his MS in Media Arts and Science, developing his work “Living, Singing A.I”, to empower bespoke A.I. music making with just the human voice. His AI instruments have been featured in Opera and Symphony performances like VALIS (2023), Brain Opera (2022), Flow Symphony (2024). His work has been published and exhibited in the MIT Press, Harvard Tech Review, Washington Post, Boston Globe, Conferences of Computational Creativity, ISEA Brisbane, IFA Stuttgart, CVPR 2024, Burning Man 2023, Copyright Society 2023, Bloomberg Law, Seoul Arts Center, etc.

Prior to joining MIT, he did a Masters in Music Technology at UPF, Barcelona and Bachelors in Technology at the Indian Institute of Technology Madras. He is passionate about a creative future where every individual can express, reflect, create and connect through music. Manaswi is also a founding instigator of the Music Tech Community in India and has organized workshops, hackathons and community events to foster a future of music and technology in his home country. In his free time, Manaswi loves collecting weird sounds.
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ADC is an annual event celebrating all audio development technologies, from music applications and game audio to audio processing and embedded systems. ADC’s mission is to help attendees acquire and develop new audio development skills, and build a network that will support their audio developer career.
Annual ADC Conference - https://audio.dev/
https://www.linkedin.com/company/audiodevcon
https://twitter.com/audiodevcon
https://facebook.com/audiodevcon
https://instagram.com/audiodevcon
https://www.reddit.com/r/audiodevcon/
https://mastodon.social/@audiodevcon
---

Streamed & Edited by Digital Medium Ltd: https://online.digital-medium.co.uk
---

Organized and produced by JUCE: https://juce.com/
---

Special thanks to the ADC24 Team:

Sophie Carus
Derek Heimlich
Andrew Kirk
Bobby Lombardi
Tom Poole
Ralph Richbourg
Jim Roper
Jonathan Roper
Prashant Mishra

#ai #artificialintelligence #artificialintelligencetechnology #adc #audiodev #audio #conferenceaudio #audioprocessing #audioproduction #audioprogramming #musictech #soundtech #audiotech #audiotechnology

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KEYNOTE: Commercialisation of Audio Technology – Josh Reiss – ADC23

https://audio.dev/ -- @audiodevcon​

KEYNOTE: Commercialisation of audio technology - Josh Reiss - ADC 2023

Innovation is rampant in audio technology. New signal processing and machine learning solutions are emerging on an almost daily basis, and experimenting with audio tools frequently yields new creative approaches. However, bringing such innovation to market poses many challenges. This talk addresses these challenges while drawing on experience with several high-tech audio start-ups. It focuses on questions and dilemmas concerning, for instance, IP protection, investment, market size and potential, and early-stage growth that are specific to the audio industry. Concrete examples are given of successes and failures where audio developers have attempted to bring new technologies to market.

Link to Slides:
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Josh Reiss

Josh Reiss is Professor of Audio Engineering with the Centre for Digital Music at Queen Mary University of London. He has published more than 200 scientific papers (including over 50 in premier journals and 6 best paper awards) and co-authored two books. His research has been featured in dozens of original articles and interviews on TV, radio, and in the press. He is a Fellow and currently President of the Audio Engineering Society (AES), and chair of their Publications Policy Committee. He co-founded the highly successful spin-out company, LandR, and recently co-founded RoEx, Tonz and Nemisindo, also based on his team’s research. He maintains a popular blog, YouTube channel, and Twitter feed for scientific education and dissemination of research activities.
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Streamed & Edited by Digital Medium Ltd: https://online.digital-medium.co.uk
_

Organized and produced by JUCE: https://juce.com/
_

Special thanks to the ADC23 Team:

Sophie Carus
Derek Heimlich
Andrew Kirk
Bobby Lombardi
Tom Poole
Ralph Richbourg
Jim Roper
Jonathan Roper
Prashant Mishra

#adc #audiotechnology #audiotech #audio

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