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KEYNOTE: From NIME to NISE: Rethinking the Design and Evaluation of Musical Interfaces - Anna Xambó Sedó - ADC23
In this keynote talk, Anna will present her insights into designing and evaluating networked algorithmic spaces that support collaboration, participation, non-hierarchical structures and Do-it-yourself (DIY) practices for Sound and Music Computing (SMC) from a Human-Computer Interaction (HCI) perspective. She will dissect the term New Interfaces for Musical Expression (NIME) to propose instead the design and evaluation of 'NISEs', to accommodate the wider world of Sound-based music and art so that we can embrace other prototypes and systems that take into consideration other characteristics than 'new', 'interfaces/interactions', 'music' and 'expression'. We will look into a project that repurposes NIMEs as an educational tool; an AI-enhanced live-coding self-built environment that works as a customisable sampler of crowdsourced sounds; and a project related to creating natural NIMEs as interventions to the environment through sonic arts and sonification. The projects contribute to the vision of democratising SMC through the creation of technologies that can empower the community to solve real-world problems.
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Websites:
* NIME website: https://www.nime.org
* NIME proceedings: https://www.nime.org/archives/
* NIME diversity: https://diversity.nime.org | https://www.nime.org/diversity/
* WoNoMute: https://wonomute.github.io
* NISE game: https://annaxambo.me/nise-game/
* Sam Topley: https://www.sam-topley.co.uk
* Dirty Electronics: https://dirtyelectronics.org
* Bed of Nails circuit: https://dirtyelectronics.org/docs/Bed_of_Nails.zip
* MIRLCa: https://mirlca.dmu.ac.uk
* Hydra: https://hydra.ojack.xyz
* Female Laptop Orchestra: https://femalelaptoporchestra.wordpress.com
* Sensing the Forest: https://sensingtheforest.github.io
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Audios:
* og01 by peterMann (audio extract): https://carpal-tunnel.bandcamp.com/track/og01
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Videos:
* Different Similar Sounds: A Live Coding Evening "From Scratch": https://youtu.be/lDVsawECK2Y
* Ceci n’est pas une usine @ +RAIN Rehearsal: https://vimeo.com/838940013
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Publications:
* Jensenius, Alexander Refsum & Lyons, Michael J. (eds.) (2017). A NIME Reader: Fifteen Years of NIME. Springer. DOI: 10.1007/978-3-319-47214-0
https://stanford.io/4c9TiRi | https://bit.ly/3TuXELn
* Bowers, John & Archer, Phil (2005). Not Hyper, Not Meta, Not Cyber but Infra-Instruments. Proceedings of the International Conference on NIME. DOI: 10.5281/zenodo.1176713
https://www.nime.org/proc/bowers2005/
* Kori, Lisa & Novak, David (2020). “Handmade Sound Communities” in Collins, Nicolas (2020) Handmade Electronic Music, Routledge. DOI: 10.4324/9780429264818
https://www.handmadeelectronicmusic.com
* Landy, Leigh (2007). Understanding the Art of Sound Organisation. MIT Press. DOI: 10.7551/mitpress/7472.001.0001
* Hayes, Lauren & Marquez-Borbon, Adnan (2020). Nuanced and Interrelated Mediations and Exigencies (NIME): Addressing the Prevailing Political and Epistemological Crises. Proceedings of the International Conference on NIME. DOI: 10.5281/zenodo.4813459
https://www.nime.org/proc/nime20_83/
* Born, Georgina (2020). Diversifying MIR: Knowledge and Real-World Challenges, and New Interdisciplinary Futures. Transactions of the ISMIR, 3(1), pp. 193–204.
https://bit.ly/3VfFdM6
* Bardzell, Shaowen (2010). "Feminist HCI: Taking Stock and Outlining an Agenda for Design" In Proceedings of the SIGCHI Conference on Human Factors in Computing Systems, pp. 1301-1310.
https://bit.ly/3wMkUMa
* Jawad, Karolina & Xambó, Anna (2020). How to Talk of Music Technology: An Interview Analysis Study of Live Interfaces for Music Performance among Expert Women. In: Proceedings of ICLI (ICLI 2020), pp. 41-47.
https://bit.ly/439DmdR
* Masu, Raul; Morreale, Fabio & Jensenius, Alexander Refsum (2023). The O in NIME: Reflecting on the Importance of Reusing and Repurposing Old Musical Instruments. Proceedings of the International Conference on NIME.
https://bit.ly/3TFKBXX
* Weetman, Catherine (2016). A Circular Economy Handbook for Business and Supply Chains: Repair, Remake, Redesign, Rethink. London: Kogan Page.
* Koren, Leonard (2008). Wabi-Sabi for Artists, Designers, Poets & Philosophers. Imperfect Publishing.
* Xambó, Anna; Saue, Sigurd; Jensenius, Alexander Refsum; Støckert, Robin & Brandtsegg, Oeyvind (2019). NIME Prototyping in Teams: A Participatory Approach to Teaching Physical Computing. Proceedings of the International Conference on NIME. DOI: 10.5281/zenodo.3672932
https://www.nime.org/proc/xambo2019/
* Xambó, Anna (2023). Discovering Creative Commons Sounds in Live Coding. Organised Sound, 28(2), 276-289. DOI:10.1017/S1355771823000262
https://bit.ly/48XkXCo
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Anna Xambó Sedó
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Streamed & Edited by Digital Medium Ltd: https://online.digital-medium.co.uk
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Organized and produced by JUCE: https://juce.com/
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