Liza Bec

About Me

Liza is an innovative contemporary performer, composer, producer and multimedia narrative author. They built their own instrument, the roborecorder, which has been displayed in the London Science Museum. Their work has been featured in New Scientist and Insider magazines. They were selected to showcase the roborecorder at Classical:NEXT Berlin 2024 supported by the PRS International Showcase Fund. They are a Keychange Talent Leadership Programme Artist 2025. 

Their debut album, The End Times, was recorded live at Real World Studios during a year-long residency at Paraorchestra and released in April 2025. Lead single ‘The Roof’ featured as Video of the Day in Gramophone magazine. The End Times features a self-designed electroacoustic blackboard. The development of The End Times theatrical performance and accompanying workshop was funded by Arts Council England and will tour the UK in 2025-26.

Liza was chosen for the first Experimental Immersive Audio Camp at Real World Studios with renowned producer Hans Martin Buff, creating an original narrative work premiered at Dolby HQ. They were commissioned to compose and perform an original site specific spatial audiovisual work, CRYSTALQUEER, by the Glasshouse International Centre for Music in collaboration with C.H.A.I.N.E.S. Liza was selected for a Britten Pears Creative Health residency, creating an original 90 minute theatre piece with Elischa Kaminer exploring concepts of consciousness and control.They were also selected for ECSA/AEC Composer Development Programme and Sage Summer Studios.  

They were awarded the Fusion Fund by Help Musicians UK to create audiovisual EP INNERVATE, writing and producing the score, lyrics and narrative.They co-wrote ‘Spinning Dance’ with acclaimed electronic artist James Holden and worked as Assistant Musical Director under Kuljit Bhamra on the Genshin Impact 3.0 soundtrack. 

Liza currently produces original serial fiction podcast Spiral Dial.

Sessions

  • Workshop 5: Interactive Panel: Accessibility in Audio Tech
    13:30 - 17:00 UTC | Monday 10th November 2025 | Bristol 3
    Beginner
    Intermediate
    Advanced

    As audio production techniques and technologies evolve, so too must the ways we think about accessibility. To improve inclusion in music-making, it is essential that access is evaluated throughout the design of audio technology, not as an add-on or afterthought. Building on ADC24’s ‘Inclusive Design in Audio Products: Why, Why, How?’ workshop, this symposium comprises a series of sessions that will unpick the systematic barriers to accessibility within audio, and highlight solutions that you can embed into your projects.  Throughout the afternoon, disabled musicians, accessibility consultants, and representatives from organisations driving change will share insights into the opportunities for a […]