Why You Can’t Get Hired and What You’re Going To Do About It
Breaking into game audio is tough but knowing why you’re not getting hired is half the battle. This talk reveals the most common reasons audio professionals miss out on opportunities, from visibility oversights to mindset traps. More importantly, it offers clear, actionable steps to turn things around and make yourself a sought-after collaborator.
Attendees will leave with a no-nonsense toolkit to diagnose their own hiring challenges and start making real progress: Whether they’re just starting out or looking to level up.
Edward Ray
I'm a composer and audio lead working across music and sound for games, with a focus on hybrid orchestral work that blends synths, guitars, and traditional scoring. My recent projects include a major cross-platform sports title in development and several Meta-funded VR games. I draw influence from artists like Mick Gordon and Danny Elfman. My work often sits at the intersection of cinematic intensity and raw, textural energy.
Although I’m often brought on as a composer or sound designer, I frequently end up overseeing the full audio pipeline: From creative direction through to final delivery and implementation. I also produce candid, monologue-style videos aimed at demystifying the audio industry from both a creative and business standpoint. I believe in clarity, momentum, and making audio that earns its place in the experience.