Real-Time Inference of Neural Networks

A Practical Approach for DSP Engineers – Part II

Perceptual Convolution

Fast & High-Fidelity Combined

How To Read Scientific DSP Publications and Turn Them Into Code

Making Sense of Academic Papers and Patents for People Who Are Not Academics or Patent Lawyers

Docker for the Audio Developer

Can Audio Programming be Safe?

Bug-Free JUCE UI

Structure Your GUI Code For Stability, Testability & Clean Architecture

Emulating the TX81Z

Techniques for Reverse Engineering Hardware Synths

Digital Audio Workstation Architecture

Evaluation and Evolution

Get Real, From Plugins to Hardware

Intro to Software Development of Audio Devices

Building Audio Apps with Rust

An Overview of Tools and Techniques

[Unit] Testing like a Lazy Pro

Javascript, WebViews and C++

“If You Can’t Beat Them, Join Them”

Branch-Free Oscillators for Fun and Profit

Pipewire

The How, What and Why of Audio on (Embedded) Linux

In Praise of Loudness

Symphony of a Thousand

GPU Synthesis With Massively Parallel Oscillators

Crunching the Same Numbers on Different Architectures

Deep Dive

Unsupervised Audio Processing with Differentiable Digital Signal Processing (DDSP)

An Efficient, Open-Source C++ Loop Classifier and Tempo Estimator

The Algorithm Behind Audacity’s Brand New Tempo Detection Feature

Introducing ni-midi2

A Modern C++ Library Implementing MIDI2 UMP 1.1 and MIDI CI 1.2

Synchronised Data for Audio Plugins

What the World Would Look Like if Plugin Instances Could Simply Talk to Each Other

How We Approach Inter-Plugin-Instance-Communication Today and How It Could Be Approached Tomorrow

Atmospheric Plugin Design

Learning While Building

MVPs, Prototypes, and the Importance of Physical Gesture

Mantis

Inheriting a Legendary Designer’s Last Synth

Crafting Better Generative Music in Games with Deep Learning

JUCE and Direct2D

Responsible AI for Offline Plugins

Tamper-Resistant Neural Audio Watermarking

Engineering Success for Audio Software in a Crowded Market

The Intersection of Analog and Digital Audio Processing

An Introductory Guide to Virtual Analog Modelling

Challenges in Real-Time Physical Modelling for Sound Synthesis

Performance Implications of Frequency Domain Crossfading

for Time-Varying FIR Filtering

High Performance WebView User Interfaces

Getting the Most out of the 2D Canvas and DOM

Squeeze JUCE and Bottle It Into Embedded Devices and More

Building a plugin assembly line

The Road to Rapid Plugin Development

Sample Rate Conversion

Bridging the Gap in Multi-Device Audio Environments

Snapshot Testing for Audio DSP

The Curious Case of Subnormals in Audio Code

Rock-Solid Releases

Beginner-Friendly Introduction to CI/CD for Audio Developers

The Discrete Fourier Transform

Bridging the Gap

Frontend Development Strategies For WebUI

How to Price an Audio Plugin

Factors to consider when deriving that one elusive value

“Engine-Swap” on Two Spatial Audio Plugins Will Be Easy, Right?

Lessons Learned

Beyond ValueTrees

How To Recreate/Restore a Full Game Boy Advance Soundtrack in High Quality

Unpacking the Role of Audio Programmers in the Games Industry

Demystifying the Responsibilities, Skills, and Career Path of Audio Programmers in Games Industry

I Dream of Waves

Practical Techniques for Sinusoidal Approximation in Audio

Auditory and Cognitive Neuroscience and the State of Audio Technology

A Multi-Disciplinary Panel Discussion

Amplifying Efficiency

Business Infrastructure for Audio Startups

Spatial Audio Primer

The Future of Immersive Music

Our Ultra-Processed Interfaces

What Music Technology Can Learn From Doritos

Reinventing the Plugin Editor

Immediate Mode GUIs for Audio Plugins

Wait-Free Thread Synchronisation With the SeqLock

Debugging Audio Content With Visuals

A Debugger Extension and Some Other Helpful Tools

Elliptic BLEP

High-Quality Zero-Latency Anti-Aliasing

A Critique of Audio Plug-In Formats

VST, AU, AAX, JUCE and Beyond

LLVM’s Real-Time Safety Revolution

Tools for Modern Audio Development