A Performance Odyssey

Transforming UI Rendering in Cubase and Nuendo

Workshop 1: Dynamic Cast: Web UIs for Music Apps

Cross-Platform Music Software with Rust

How To Distribute Your Plugins

Using MuseHub as the Engine To Get Your Audio Tools in the Hands of Millions

Crowded Market Launch Playbook: Refining Audio Plugin Success Through Pre‑Launch Metrics

Replacing Hope with Clarity in the Audio Plugin Market

Music Design and Systems

Achieving Inaudibly Complex Systems in Video Games

Continuous QA Testing for Plugins Using AI and Python

Hacking Handhelds for Creative Audio

Building Music Applications for the New Nintendo 3DS

The Practices of Audio Programming

Overview of Granular Synthesis

Commercialising Audio Plugins

Going From Development to Sales and Beyond

Beyond iLok: Advanced Code Protection and Cryptography for the Next Generation

Protecting the next generation of applications, plug-ins, and AI models.

Sneak Peek at ARA 3.0

Embracing Audio Synthesis

Integrate Your Plugin with the New AI and Automation Features in Pro Tools using SoundFlow’s new SFX Framework

Scripting Architecture for a DAW-like Plugin

How we implemented Lua and JavaScript scripting for Synthesizer V Studio

The Official JUCE Audio Plugin Development Course is Here

And it’s free...

When the Code Writes Back

Navigating Confidence, Confusion, and Control

Bugs I’ve Seen in the Wild

From Confusion to Amazement

Why You Can’t Get Hired and What You’re Going To Do About It

The Hard Reset for Audio Freelancing

The Rise of Accelerated Audio Computing

New Modules and Markets with GPU Audio

Building Better Software through Cross-Functional Collaboration

Roland X Neutone

DIY NEXT

Workshop 5: Interactive Panel: Accessibility in Audio Tech

Workshop 8: DSP in Practice

From Block Diagram to Working Plugin

Workshop 4: From Paper to Plugin

A guided tour of digital filters

Lock-free Queues in the Multiverse of Madness

Perfect Oscillators in Less Than One Clock Cycle

How To Successfully Develop Software Products

Distorted Reality

Myths about Harmonics and Distortion

Implementing Wave Terrain Synthesis

Carving Paths into Sonic Landscapes

Modernizing Legacy Audio Plugin Codebases

Lessons from FL Studio’s Plugin Suite

Analog Filters for Realtime Audio

Demystifying std::memory_order

Safe and Sound

Using C++ Audio Libraries from Rust

Using Strongly-Typed Units in Digital Audio Software

Real-Time, Low Latency and High Temporal Resolution Spectrograms

Driving Chaos

Virtual Analog Modelling of a Chaotic Circuit with Wave Digital Filters

Doodads & Doohickeys

A Guide to Theory-Crafting & Modelling a Fictional Acoustic Instrument

Building an Optimized DSP Framework in Modern C++

Building Inclusive Audio Tools

Accessibility with ARIA, WCAG, and Real-World Projects

Chaos, Logic, and Physics

Lessons from Building a 3D Spatial DAW in Unity

Level Up! Procedural Game Music and Audio

Towards Richer, More Dynamic Soundtracks for Games and Interactive Audio Experiences

Channel Agnosticism in MetaSounds

Simplifying Audio Formats for Reusable Graph Topologies

Emotion in the Signal

EEG-Driven Adaptive Music for Games, VR, and Immersive Media

How I Learned to Love the Docs

Documentation As Design Process for Music Tech Products

Real-time Audio on Android

Latency and Performance

The Real Waveform Matters

The Samples Are Not Always What They Seem

Modern Feedback Delay Networks for Realistic and Creative Reverberation

Creating from Legacy Code

A Case Study of Porting Legacy Code from Exponential Audio

Peeking Inside Audio Units

A Practical Reverse Engineering Journey

It’s Just a Phase

Exploring Synthesis With the Phase Vocoder

Engineering Practices Break Music Interaction

(but Can Also Fix It)

Real-Time Audio in Python: Introducing the asmu Package

A History of FLAC

The Free Lossless Audio Codec

PhilTorch: Accelerating Automatic Differentiation of Digital Filters In PyTorch

How to evaluate differentiable filters 1000 times faster in PyTorch.

Creative Coding

Geometry and OpenGL with Audio

A Sine By Any Other Language

PSD to DAW

Building a Pixel-Perfect UI Pipeline

Should Audio Plugins Have “Everything Everywhere All at Once”?

Exploring Modularity, Reusability, and Instrument Identity in Audio Software

Bridging Audio Analysis and Interaction

An Open Toolkit for Real-Time Descriptors

Why Do People Actually Buy Music Software, Anyway?

Converting Source Separation Models to ONNX for Real Time Usage in DJ Software

Efficient Task Scheduling in a Multithreaded Audio Engine

Algorithms and Analysis for Parallel Graph Execution

Instrument Your Code So it Can Sing

Mind the Spike

Benchmarking for Worst-Case Execution Time in Realtime Code

Tabla to Drumset

Translating Rhythmic Language through Machine Learning

Database Synchronisation for Audio Plugins, Part Two

Here's One I Made Earlier

Finding OSCar

The Secrets of a Classic British Synth

Beyond the DAW

Designing a Procedural Sequencer Powered by Music-Theory

Testing Testing 1, 2, 3

2.5 Years Later: A C++ Framework for Audio ML Research Prototyping

Let's break it down

The Shape of Sound

Building and Bending Vinyl Grooves in Software

Enumerate and Extract Audio Buffers When Debugging C++ Applications

Understanding JUCE Drawing

Rules for Measurable Performance Improvements